A Mozart Bibliography
A Listing of Books On Wolfgang Amadeus Mozart, His Life, Music, and World.
A Listing of Books On Wolfgang Amadeus Mozart, His Life, Music, and World.
Preface
W. A. Mozart, 1789. |
This bibliography began as a list of books on Mozart I wanted to read. In time it became a list of books I had read, then one of books I owned. I then began categorizing the list into, "books I want as references," "books on specific pieces I want to study," "books I should only buy if I've read everything else already" and so forth. I decided to post it online to serve as one of intermediate comprehensiveness between the basic list and the bibliographies in Abert and Solomon.
The current edition of Abert's W. A. Mozart (Translated by Stewart Spencer. Edited by Cliff Eisen. Yale University Press. 2007.) contains the largest bibliography at 64 pages. Though short of the bibliography in Abert, Solomon's bibliography in Mozart: A Life is imminently useful and more manageable at 17 pages. Both volumes contain an index of Mozart's works by genre, an index of names and subjects, and a copy of the Köchel-Verzeichnis.
Also, both the Abert and Solomon bibliographies contain substantial listings of non-English sources, papers, journal essays, reports, symposiums, and volumes of original documents, none of which are included here. You will find an online listing of such sources at this site: [link]. Articles in English are listed here.
Dates given below are of the original publication date of the work, whether it is Niemetschek's 1798 biography or the 2003 New Grove Mozart. After publication books may subsequently be published by another press or reissued as a new edition, sometimes under a slightly altered title. As such, I have not included references to specific publishers or specific page numbers. I have, though, provided approximate page lengths where I thought it helpful, mostly so no one goes out of the way to buy a book only to find the essay far shorter than expected.
I hope you find this listing useful.
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The Bibliography
Contents
- Comprehensive
- Biography
- Handbooks, Compendiums, Surveys, Overviews, Et Cetera
- Musicological Analysis
- Opera
- Performance Practice
- Essays in Books Not Exclusively About Mozart
- Miscellaneous Books on Mozart
- Others in Mozart's Life
- Compilations of Primary Sources
- 18th Century Culture, Thought, Music, Et Cetera
- Articles
- Journals
- Miscellaneous
I. Comprehensive
Abert, Hermann. W.A. Mozart. 1923-1924.
Deutsch, Otto Erich. Mozart: A Documentary Biography. 1965. (N.B. Excludes Mozart's letters and the Mozart family correspondence.)
Jahn, Otto. W. A. Mozart. 1856.
II. Biography
Banks, Chris A. Mozart: Prodigy of Nature. 1991.
Blom, Eric. Mozart. 1935.
Braunbehrens, Volkmar. Mozart in Vienna: 1781-1791. 1986.
Breakspeare, Eustace J. Mozart. 1902.
Buchner, Alexander. Mozart and Prague. 1962.
Buenzod, E. Mozart. 1930.
Cormican, Brendan. Mozart's Death - Mozart's Requiem: An Investigation. 1991.
Davenport, Marcia. Mozart. 1932.
Einstein, Alfred. Mozart: His Character, His Work. 1945.
Gay, Peter. Mozart. (A Penguin Life) 1999.
Gheon, Henri. In Search of Mozart. 1932. (original French edition, Promenades avec Mozart)
Gutman, Robert. Mozart: A Cultural Biography. 2000.
Haas, Robert. Wolfgang Amadeus Mozart. 1933.
Henry, Jacques. Mozart the Freemason: The Masonic Influence on His Musical Genius. 2006.
Hildesheimer, Wolfgang. Mozart. 1982.
Hussey, Dyneley. Wolfgang Amade Mozart. 1928.
Holmes, Edward. The Life of Mozart. 1845.
Johnson, Paul. Mozart: A Life. 2013.
Keyes, Ivor Christopher Banfield. Mozart: His Music in His Life. 1980.
Koolbergen, Jeroen. Mozart: 1756-1791 (Great Composers). 1998.
Küng, Hans. Mozart: Traces of Transcendence. 1993.
Landon, H. C. Robbins. 1791: Mozart's Last Year. 1988.
Landon, H. C. Robbins. Mozart and the Masons: New Light on the Lodge "Crowned Hope." 1983.
Landon, H.C. Robbins. Mozart and Vienna. 1991.
Landon, H.C. Robbins. Mozart: The Golden Years. 1989.
Lingg, Ann M. Mozart: Genius of Harmony. 1946.
McLean, Ian. Mozart: 1756-1791. 1990.
Melograni, Piero. Wolfgang Amadeus Mozart: A Biography. 2006.
Mersman, Hans. Mozart. 1925.
Morris, James M. (ed.) On Mozart. 1994.
Nettl, Paul. Mozart and Masonry. 1957.
Niemetschek, Franz. Mozart: The First Biography. 1798.
Ottaway, Hugh. Mozart. 1979.
Paumgartner, Bernhard. Mozart. 1927.
Publig, Maria. Mozart. 1991.
Rosselli, John. The Life of Mozart. 1998.
Rushton, Julian. Mozart. 2009.
Sadie, Stanley. Mozart: The Early Years. 2005.
Schenk, Erich. Mozart and His Times. 1955.
Schroeder, David. Mozart in Revolt: Strategies of Resistance, Mischief and Deception. 1999.
Sitwell, Sacheverell. Mozart. 1932.
Solomon, Maynard. Mozart: A Life. 1995.
Stafford, William. The Mozart Myths: A Critical Reassessment. 1991.
Talbot, J. E. Mozart. 1930.
Tchernaya, E. S. Mozart: His Life and Times. 1986.
Tenschert, Roland. Mozart. 1930.
Thomson, Katharine. The Masonic Thread in Mozart. 1977.
Thompson, Wendy. Mozart: A Bicentennial Tribute. 1989.
Turner, W. J. Mozart: The Man and His Works. 1938.
Wates, Roye E. Mozart: An Introduction to the Music, the Man, and the Myths. 2010.
Zaluski, Iwo and Zaluski, Pamela. Mozart in Italy. 2000.
III. Handbooks, Compendiums, Surveys, Overviews, Et Cetera
Biancolli, Louis. (ed.) The Mozart Handbook: A Guide to the Man and His Music. 1954.
Eisen, Cliff. Mozart Studies. 1992.
Eisen, Cliff. Mozart Studies 2. 1998.
Hutchings, Arthur. Mozart: The Man, The Musician. 1976.
Keefe, Simon P. (ed.) The Cambridge Companion to Mozart. 2003.
Keefe, Simon P. (ed.) Mozart Studies. 2006.
Landon, H.C. Robbins. (ed.) The Mozart Companion. 1969.
Landon, H.C. Robbins. (ed.) The Mozart Compendium. 1990.
Landon, H.C. Robbins. The Mozart Essays. 1995.
Lang, Paul Henry. The Creative World of Mozart. 1963.
Link, Dorothea and Nagley, Judith. Words About Mozart: Essays in Honour of Stanley Sadie. 2005.
Rushton, Julian. The New Grove Guide to Mozart and His Operas. 2007.
Sadie, Stanley and Tyrrell, John. The New Grove Mozart. 2003.
Sadie, Stanley. (ed.) Wolfgang Amadè Mozart: Essays on his Life and his Music. 1996.
Zaslaw, Neal and Cowdery, William. The Compleat Mozart: A Guide to the Musical Works of Wolfgang Amadeus Mozart. 1991.
IV. Musicological Analysis
Allanbrook, Wye Jamison. Rhythmic Gesture in Mozart. 1984.
Caplin, William E. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven. 1998.
Damschroder, David. Harmony in Haydn and Mozart. 2012.
Dearling, Robert. The Music of Wolfgang Amadeus Mozart: The Symphonies. 1982.
Dickinson, A. E. F. A Study of Mozart's Last Three Symphonies. 1927.
Dunhill, Thomas. Mozart's String Quartets. 1927.
Etheridge, David. Mozart's Clarinet Concerto: The Clarinetist's View. 1989.
Finscher, L. Wolff, C. (ed.) The String Quartets of Haydn, Mozart, and Beethoven: Studies of the Autograph Manuscripts. 1980.
Flothius, Marius. Mozart's Piano Concertos. 2001.
Fredman, Myer. From Idomeneo to Die Zauberflöte: A Conductor's Commentary on the Operas of Wolfgang Amadeus Mozart. 2002.
Girdlestone, Cuthbert. Mozart and His Piano Concertos. 1948.
Grayson, David. Mozart: Piano Concertos Nos. 20 and 21. 1999.
Greene, David B. The Spirituality of Mozart's Mass in C Minor, Bach's Mass in B Minor, and Messiaen's Quartet for the End of Time: When Hearing Sacred Music Is Relating to God. 2012.
Harlow, Martin. Mozart's Chamber Music with Keyboard. 2012.
Hutchings, Arthur. A Companion to Mozart's Piano Concertos. 1948.
Irving, John. Mozart: The "Haydn" Quartets. 1998.
Irving, John. Mozart's Piano Concertos. 2003.
Irving, John. Mozart's Piano Sonatas: Contexts, Sources, Style. 1997.
Irving, John. Understanding Mozart's Piano Sonatas. 2010.
Keefe, Simon P. Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment. 2001.
Keefe, Simon P. Mozart's Requiem: Reception, Work, Completion. 2012.
Kinderman, William. Mozart's Piano Music. 2006.
King, Alec Hyatt. Mozart Wind and String Concertos. 1978.
Lawson, Colin. Mozart: Clarinet Concerto. 1996.
Leeson, Daniel N. Opus Ultimum: The Story of the Mozart Requiem. 2004.
Levin, Robert D. Who Wrote the Mozart Four-Wind Concertante? 1998.
Marks, F. H. The Sonata: Its Form and Meaning as Exemplified in the Pianoforte Sonatas of Mozart. 1921.
Maunder, C. Richard F. Mozart's Requiem: On Preparing a New Edition. 1988.
Mercado, Mario R. The Evolution of Mozart's Pianistic Style. 1992.
Mirka, Danuta. Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1971. 2009.
Mozart, Wolfgang Amadeus. Practical Elements of Thorough Bass. 1823. (A collection of the composer's lessons compiled by his students and posthumously published.)
Sadie, Stanley. Mozart Symphonies. 1986.
Saint-Foix, Georges de. The Symphonies of Mozart. 1949.
Sisman, Elaine R. Mozart: The Jupiter Symphony. 1993.
Smith, Erik. Mozart Serenades, Divertimenti and Dances. 1982.
Tischler, Hans. A Structural Analysis of Mozart's Piano Concertos. 1966.
Waldoff, Jessica. Recognition in Mozart's Operas. 2006.
Wolff, Christoph. Mozart's Requiem: Historical and Analytical Studies, Documents, Score. 1994.
Yuee, Lai Mee & Yeo, Young-Hwan. A Descriptive Analysis of Mozart Piano Sonata: For the 1st Movement of Mozart Piano Sonata in Bb Major, K.333. 2012.
Zaslaw, Neal. Mozart's Piano Concertos: Text, Context, Interpretation. 1997.
Zaslaw, Neal. Mozart's Symphonies: Context, Performance Practice, Reception. 1989.
V. Opera
Angermüller, Rudolph. Mozart's Operas. 1988.
Bauman, Thomas. W. A. Mozart: Die Entführung aus dem Serail. (Cambridge Opera Handbooks) 1988.
Benn, Christopher. Mozart on the Stage. 1946.
Branscombe, Peter. W. A. Mozart: Die Zauberflöte. (Cambridge Opera Handbooks) 1991.
Brophy, Brigid. Mozart the Dramatist: The Value of His Operas to Him, to His Age, and to Us. 1988.
Brown, Bruce Alan. W. A. Mozart: Così fan tutte. (Cambridge Opera Handbooks) 1995.
Brown-Montesano, Kristi. Understanding the Women of Mozart's Operas. 2007.
Cairns, David. Mozart and His Operas. 2006.
Carter, Tim. W. A. Mozart: Le Nozze di Figaro. (Cambridge Opera Handbooks) 1988.
Chailley, Jacques. The Magic Flute Unveiled: Esoteric Symbolism in Mozart's Masonic Opera. 1992.
Dent, Edward J. Mozart's Operas: A Critical Study. 1913.
Ferrara, William. Staging Scenes from the Operas of Mozart: A Guide for Teachers and Singers. 2014.
Fisher, Burton D. Mozart's Don Giovanni (Opera Classics Library Series) 2002.
Ford, Charles. Così?: Sexual Politics in Mozart's Operas. 1991.
Ford, Charles. Music, Sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Cosi Fan Tutte. 2012.
Fredman, Myer. From Idomeneo to Die Zauberflöte: A Conductor's Commentary on the Operas of Wolfgang Amadeus Mozart. 2002.
Gianturco, Carolyn. Mozart's Early Operas. 1981.
Goehring, Edmund J. Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in Cosí fan tutte. 2004.
Heartz, Daniel. Mozart's Operas. 1992.
Hunter, Mary. Mozart's Operas: A Companion. 2008.
King, Alec Hyatt. Mozart Chamber Music. 1968.
Levarie, Siegmund. Mozart's Le nozze di Figaro: A Critical Analysis. 1952.
Mann, William. The Operas of Mozart. 1977.
Miller, Jonathan. The Don Giovanni Book: Myths of Seduction and Betrayal. 1987.
Osborne, Charles. The Complete Operas of Mozart. 1978.
Rice, John A. Mozart on the Stage. 2009.
Rice, John A. W. A. Mozart: La Clemenza di Tito. (Cambridge Opera Handbooks.) 1991.
Rushton, Julian. W. A. Mozart: Don Giovanni. (Cambridge Opera Handbooks) 1981.
Russell, Charles C. The Don Juan Legend Before Mozart: With a Collection of 18th Century Opera Librettos. 1999.
Steptoe, Andrew. The Mozart-Da Ponte Operas: The Cultural and Musical Background to Le nozze di Figaro, Don Giovanni, and Cosi fan tutte. 1988.
Till, Nicholas. Mozart and the Enlightenment: Truth, Virtue and Beauty in Mozart's Operas. 1992.
Woodfield, Ian. Mozart's Così fan tutte: A Compositional History. 2008.
VI. Performance Practice
Badura-Skoda, Eva and Badura-Skoda, Paul. Interpreting Mozart on the Keyboard. 1962.
Brown, Clive. Classical and Romantic Performing Practice 1750-1900. 1999.
Etheridge, David. Mozart's Clarinet Concerto: The Clarinetist's View. 1989.
Fredman, Myer. From Idomeneo to Die Zauberflöte: A Conductor's Commentary on the Operas of Wolfgang Amadeus Mozart. 2002.
Gerig, Reginald R. Famous Pianists and Their Technique. 1974.
Lloyd-Watts, Valery. Ornamentation: A Question & Answer Manual. 1995.
Marty, Jean-Pierre. The Tempo Indications of Mozart. 1989.
Neumann, Frederick. Ornamentation and Improvisation in Mozart. 1986.
Brown, Howard Mayer and Sadie, Stanley. (eds.) Performance Practice: Music After 1600. 1989.
Rosenblum, Sandra P. Performance Practices in Classic Piano Music: Their Principles and Applications. 1988.
Rothschild, Fritz. Musical Performance in the Times of Mozart and Beethoven. 1961.
Taruskin, Richard. Text and Act: Essays on Music and Performance. 1995.
Todd, R. Larry and Williams, Peter. Perspectives on Mozart Performance. 1991.
Wolff, Konrad. Masters of the Keyboard, Enlarged Edition: Individual Style Elements in the Piano Music of Bach, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. 1990.
VII. Essays in Other Books
Adolphe, Bruce. Of Mozart, Parrots, Cherry Blossoms in the Wind. 1999.
Brendel, Alfred. Alfred Brendel on Music: His Collected Essays. 2001.
Burrows, Raymond & Redmond, Bessie Carroll. (compiled) Symphony Themes. 1942.
Damschroder, David. Harmony in Haydn and Mozart. 2012.
Dirst, Matthew. Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn. 2012.
Geiringer, Karl. The Bach Family: Seven Generations of Creative Genius. 1954.
Hogwood, Christopher. (ed.) The Keyboard in Baroque Europe. 2003.
King, A. Hyatt. Musical Pursuits: Selected Essays. 1987.
Landon, H. C. Robbins in Wolf, Eugene K. and Roesner, Edward H. (eds.) Studies in Musical Sources and Style Essays in Honor of Jan Larue. 1990.
Parry, C. Hubert H. Studies of Great Composers. 1900.
Part II. Mostly Mozart
Schonberg, Harold C. The Great Pianists: From Mozart to the Present. 1963.
Schwarm, Betsy. Operatic Insights: Understanding and Enjoying Great Music for the Stage. 2012.
Schwarz, Boris in Atlas, Allan W. (ed.) Music in the Classical Period Essays in Honor of Barry S. Brook. 1995.
Steen, Michael. The Lives and Times of the Great Composers. 2003.
Taruskin, Richard. Text and Act: Essays on Music and Performance. 1995.
Vagliavini, Luigi Ferdinando in Austin, William W. (ed.) New Looks at Italian Opera in Honor of Donald J. Grout. 1968.
Wolff, Konrad. Masters of the Keyboard, Enlarged Edition: Individual Style Elements in the Piano Music of Bach, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. 1990.
VIII. Other Mozart
Adolphe, Bruce. Of Mozart, Parrots, Cherry Blossoms in the Wind. 1999.
Burgess, Anthony. On Mozart: A Paean for Wolfgang. 1991.
Cormican, Brendan. Mozart's Death - Mozart's Requiem: An Investigation. 1991.
Davies, Peter J. Mozart in Person: His Character and Health. 1989.
Du Mont, Mary. The Mozart-Da Ponte Operas: An Annotated Bibliography. 2000.
Farmer, Henry George & Smith, Herbert. New Mozartiana. 1935.
Gruber, Gernot. Mozart and Posterity. 1994.
King, Alec Hyatt. Mozart in Retrospect: Studies in Criticism and Bibliography. 1955.
Leeson, Daniel N. The Mozart Cache: The Discovery and Examination of a Previously Unknown Collection of Mozartiana. 2008.
Maunder, C. Richard F. Mozart's Requiem: On Preparing a New Edition. 1988.
McDonough, Yona Zeldis. Who Was. . . Wolfgang Amadeus Mozart? 2003. (Ages 9-12.)
Nottebohm, Gustav. Mozartiana. 1880.
Solman, Joseph. Mozartiana: Two Centuries of Notes, Quotes, and Anecdotes about Wolfgang Amadeus Mozart. 2002.
Vigeland, Carl. Mostly Mozart Guide to Mozart. 2009.
Woodford, Peggy. Mozart (Illustrated Lives of the Great Composers.) 1990.
IX. On Others in Mozart's Life
Blanning, T. C. W. Joseph II and Enlightened Despotism. 1984.
Bolt, Rodney. The Librettist of Venice: The Remarkable Life of Lorenzo Da Ponte: Mozart's Poet, Casanova's Friend, and Italian Opera's Impresario in America. 2006.
Braunbehrens, Volkmar. Maligned Master: The Real Story of Antonio Salieri. 1992.
Clive, Peter. Mozart and His Circle. 1993.
Da Ponte, Lorenzo. Memoirs. 1823–1827.
Eisen, Cliff. The Symphonies of Leopold Mozart and Their Relationship to the Early Symphonies of Wolfgang Amadeus Mozart: A Bibliographical and Stylistic Study. 1987-1988.
Gärtner, Heinz. Constanze Mozart: After the Requiem. 1991.
Gärtner, Heinz. John Christian Bach: Mozart's Friend and Mentor. 2003.
Glover, Jane. Mozart's Women: His Family, His Friends, His Music. 2005.
Gordon, David & Gordon, Peter. Musical Visitors to Britain. 2005.
Grant, Kerry. S. Dr. Burney as Critic and Historian of Music. 1983.
Halliwell, Ruth. The Mozart Family: Four Lives in a Social Context. 1998.
Hodges, Sheila. Lorenzo Da Ponte: The Life and Times of Mozart's Librettist. 2002.
Holden, Anthony. The Man Who Wrote Mozart: The Extraordinary Life of Lorenzo Da Ponte. 2005.
Honolka, Kurt. Papageno: Emanuel Schikaneder: Man of the Theater in Mozart's Time. 1990.
Moser, Nancy. Mozart's Sister. 2006.
Rice, John A. Antonio Salieri and Viennese Opera. 1999.
Schwerin, Erna. Constanze Mozart: Woman and Wife of A Genius. 1981.
Selby, Agnes. Constanze: Mozart’s Beloved. 1999.
X. Compilations of Primary Sources
Anderson, Emily. (ed.) The Letters of Mozart and His Family. 1938. (Chronologically arranged, translated and edited with an introduction, notes, indices, and extracts from the letters of Constanze Mozart to Johann Anton André. Translated and edited by C. B. Oldman in three volumes.)
Deutsch, Otto Erich. Mozart: A Documentary Biography. 1965.
Irving, John. The Treasures of Mozart. 2012.
Jansen, Johannes. Mozart. 1999. (A book of pictures.)
Kerst, Friedrich. Mozart as Revealed in His Own Words. 1905.
Link, Dorothea. The National Court Theatre in Mozart's Vienna: Sources and Documents 1783-1792. 1998.
Mersmann, Hans. (ed., trans.) [W.A. Mozart] Letters. 1928.
Spaethling, Robert. Mozart's Letters, Mozart's Life. 2000.
Tyson, Alan and Rosenthal, Albi. Mozart's Thematic Catalogue: A Facsimile. 1990.
Neue Mozart Ausgabe Online: The complete editions of Mozart's work, including all the sheet music and critical apparatuses. [Link]
Köchel-Verzeichnis Online: The complete, chronological listing of Mozart's work. [Link]
XI. Other: 18th Century Culture, Thought, Music, Et Cetera
Atlas, Allan W. (ed.) Music in the Classical Period Essays in Honor of Barry S. Brook. 1995.
Bauman, Thomas. North German Opera in the Age of Goethe. 1985.
Blume, Friedrich. Classic and Romantic Music: A Comprehensive Survey. 1970.
Brandenburg, Sieghard. Haydn, Mozart, and Beethoven: Studies in the Music of the Classical Period: Essays in Honour of Alan Tyson. 1999.
Braunbehrens, Volkmar. Mozart in Vienna: 1781-1791. 1986.
Brown, Clive. Classical and Romantic Performing Practice 1750-1900. 1999.
Brown, Howard Mayer and Sadie, Stanley. (eds.) Performance Practice: Music After 1600. 1989.
Buchner, Alexander. Mozart and Prague. 1962.
Burney, Charles. The Present State of Music in France and Italy. 1771.
Caplin, William E. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven. 1998.
DelDonna, Anthony R. and Polzonetti, Pierpaolo (eds.) The Cambridge Companion to Eighteenth-Century Opera. 2009.
Derek, Beales. Enlightenment and Reform in Eighteenth-Century Europe. 2005.
Donington, Robert. Opera and Its Symbols: The Unity of Words, Music, and Staging. 1990.
Downs, Philip G. Classical Music: The Era of Haydn, Mozart, and Beethoven. 1992.
Eisen, Cliff. Orchestral Music in Salzburg, 1750-1780, Recent Researches in the Music of the Classical Era. 1994.
Fiske, Rogert. English Theatre Music in the Eighteenth Century. 1987.
Ford, Charles. Music, Sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Cosi Fan Tutte. 2012.
Gjerdingen, Robert. Music in the Galant Style. 2007.
Gordon, David & Gordon, Peter. Musical Visitors to Britain. 2005.
Heartz, Daniel. Haydn, Mozart, and the Viennese School. 1994.
Heartz, Daniel. Music in European Capitals: The Galant Style, 1720-1780. 2003.
Henderson, W. J. The Orchestra and Orchestral Music. 1899.
Hepokoski, James & Darcy, Warren. Elements of Sonata Theory. 2006.
Hunter, Mary. The Culture of Opera Buffa in Mozart's Vienna. 1999.
Jones, David Wyn. (ed.) Music in Eighteenth-Century Austria. 2006.
Johnstone, H. Diack and Fiske, Roger. The Blackwell History of Music in Britain: The Eighteenth Century. 1990.
Keefe, Simon P. Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment. 2001.
Kirkendale, Warren. Fugue and Fugato in Rococo and Classical Chamber Music. 1979.
Link, Dorothea. The National Court Theatre in Mozart's Vienna: Sources and Documents 1783-1792. 1998.
MacIntyre, Bruce C. The Viennese Concerted Mass of the Early Classical Period. 1986.
Maunder, Richard. Keyboard Instruments in Eighteenth-Century Vienna. 1998.
McVeigh, Simon. Concert Life in London from Mozart to Haydn. Cambridge University Press. 2006.
Morrow, Mary Sue. Concert Life in Haydn's Vienna: Aspects of a Developing Musical and Social Institution. 1989.
Morrow, Mary Sue. German Music Criticism in the Late Eighteenth Century: Aesthetic Issues in Instrumental Music. 1989.
Nelson, David. Vienna for the Music Lover: The Complete Guide to Vienna's Musical Sites and Performances Today. 2009.
Newman, William S. The Sonata in the Classic Era. 1983.
Pestelli, Giorgio. The Age of Mozart and Beethoven. 1984.
Ratner, Leonard G. Classic Music: Expression, Form and Style. 1980.
Roeder, Michael Thomas. A History of the Concerto. 1994.
Rosenblum, Sandra P. Performance Practices in Classic Piano Music: Their Principles and Applications
Rothschild, Fritz. Musical Performance in the Times of Mozart and Beethoven. 1961.
Schenk, Erich. Mozart and His Times. 1955.
Scherer, F. M. Quarter Notes and Bank Notes: The Economics of Music Composition in the Eighteenth and Nineteenth Centuries. 2003.
Scholes, Percy. Dr. Burney's Musical Tours in Europe. 1959.
Sisman, Elaine R. Haydn and the Classical Variation. 1993.
Spaethling, Robert. Music and Mozart in the Life of Goethe. 1987.
Steblin, Rita. History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries. 1983.
Tapié, Victor L. The Rise and Fall of the Habsburg Monarchy. 1969.
Taruskin, Richard. Text and Act: Essays on Music and Performance. 1995.
Whitmore, Philip. Unpremeditated Art: The Cadenza in the Classical Keyboard Concerto. 1991.
Zaslaw, Neal. (ed.) The Classical Era: From the 1740s to the End of the 18th Century. 1989.
XII. Articles
Allanbrook, Wye J. & Hilton, Wendy. Dance Rhythms in Mozart's Arias. Early Music, Vol. 20, No. 1, Performing Mozart's Music II (Feb., 1992), pp. 142-149
Allanbrook, Wye J. Metric Gesture as a Topic in "Le Nozze di Figaro" and "Don Giovanni". The Musical Quarterly, Vol. 67, No. 1 (Jan., 1981), pp. 94-112
Allanbrook, Wye J. Pro marcellina: The Shape of 'Figaro', Act IV. Music & Letters, Vol. 63, No. 1/2 (Jan. - Apr., 1982), pp. 69-84
Anderson, Robert. Haydn and Mozart. The Musical Times, Vol. 126, No. 1711 (Sep., 1985), p. 539
Arthur, John and Schachter, Carl. Mozart's "Das Veilchen" The Musical Times, Vol. 130, No. 1753 (Mar., 1989), pp. 149-155+163-164
Badura-Skoda, Paul. Mozart without the Pedal? The Galpin Society Journal, Vol. 55 (Apr., 2002), pp. 332-350
Baker, Jack. Elgar and Mozart's G Minor Symphony. The Musical Times, Vol. 76, No. 1114 (Dec., 1935), pp. 1123-1124
Balthazar, Scott. L. Tonal and Motivic Process in Mozart's Expositions. The Journal of Musicology, Vol. 16, No. 4 (Autumn, 1998), pp. 421-466
Barshack, Lior. The Sovereignty of Pleasure: Sexual and Political Freedom in the Operas of Mozart and Da Ponte. Law and Literature, Vol. 20, No. 1 (Spring 2008), pp. 47-67
Barth, George. Mozart Performance in the 19th Century. Early Music, Vol. 19, No. 4, Performing Mozart's Music I (Nov., 1991), pp. 538-555
Batley, E. M. Emanuel Schikaneder: The Librettist of 'Die Zauberflöte'. Music & Letters, Vol. 46, No. 3 (Jul., 1965), pp. 231-236
Bauman, Thomas. Mozart's Belmonte. Early Music, Vol. 19, No. 4, Performing Mozart's Music I (Nov., 1991), pp. 556-563
Bauman, Thomas. Requiem, but No Piece. 19th-Century Music, Vol. 15, No. 2, Toward Mozart (Autumn, 1991), pp. 151-161
Benade, Arthur H. Woodwinds: The Evolutionary Path Since 1700. The Galpin Society Journal, Vol. 47 (Mar., 1994), pp. 63-110
Bilson, Malcolm & Tassel, Eric van. Interpreting Mozart. Early Music, Vol. 12, No. 4, The Early Piano I (Nov., 1984), pp. 519-522
Blume, Friedrich & Broder, Nathan. Requiem but No Peace. The Musical Quarterly, Vol. 47, No. 2 (Apr., 1961), pp. 147-169
Bonds, Mark Evan. Replacing Haydn: Mozart's ‘Pleyel’ Quartets. Music and Letters (2007) 88 (2): 201-225.
Broder, Nathan. The First Guide to Mozart. The Musical Quarterly, Vol. 42, No. 2 (Apr., 1956), pp. 223-229
Broder, Nathan. Mozart and the "Clavier." The Musical Quarterly, Vol. 27, No. 4 (Oct., 1941), pp. 422-432
Broder, Nathan. The Wind-Instruments in Mozart's Symphonies. The Musical Quarterly, Vol. 19, No. 3 (Jul., 1933), pp. 238-259
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Somfami, László. Mozart's First Thoughts: The Two Version of the Sonata in D major, K284. Early Music, xix (1991), 601-13
Smithers, Don. L. Mozart's Orchestral Brass. Early Music, Vol. 20, No. 2, Performing Mozart's Music III (May, 1992), pp. 254- 256+258-259+261-265
Smyth, David. "Balanced Interruption" and the Formal Repeat. Music Theory Spectrum, Vol. 15, No. 1 (Spring, 1993), pp. 76-88
Spitzer, J. & Zaslaw, N. Improvized Ornamentation in Eighteenth-Century Orchestras. JAMS, xxxix (1986), 524-77
Statham, H. Heathcote. Mozart as a Pianoforte Composer. The Musical Times and Singing Class Circular, Vol. 20, No. 439 (Sep. 1, 1879), pp. 465- 468
Steptoe, Andrew. Mozart and Poverty: A Re-Examination of the Evidence. The Musical Times, Vol. 125, No. 1694 (Apr., 1984), pp. 196-201
Steptoe, Andrew. The Sources of 'Così fan tutte': A Reappraisal. Music & Letters, Vol. 62, No. 3/4 (Jul. - Oct., 1981), pp. 281-294
St. Foix, Georges de St. & King, Ottomar. Mozart and the Young Beethoven. The Musical Quarterly, Vol. 6, No. 2 (Apr., 1920), pp. 276-295
Temperley, Nicholas. Mozart's Influence on English Music. Music & Letters, Vol. 42, No. 4 (Oct., 1961), pp. 307-318
Temperley, Nicholas. Mozart's Influence on English Music. Music & Letters, Vol. 42, No. 4 (Oct., 1961), pp. 307-318
Thomson, Katharine. Mozart and Freemasonry. Music & Letters, Vol. 57, No. 1 (Jan., 1976), pp. 25-46
Tomita, Yo. Bach Reception in Pre-Classical Vienna: Baron van Swieten's Circle Edits the 'Well-Tempered Clavier' II. Music & Letters, Vol. 81, No. 3 (Aug., 2000), pp. 364-391
Tyler, Linda. Aria as Drama: A Sketch from Mozart's "DerSchaulspieldirektor." Cambridge Opera Journal, Vol. 2 No. 3 (Nov., 1990), pp. 251-267
Tyler, Linda. Bastien und Bastienne: The Libretto, Its Derivation, and Mozart's Text-Setting. The Journal of Musicology, Vol. 8, No. 4 (Autumn, 1990), pp. 520-552
Tyler, Linda. 'Zaide' in the Development of Mozart's Operatic Language. Music & Letters, Vol. 72, No. 2 (May, 1991), pp. 214-235 Published by: Oxford University Press
Tyson, Alan. The Earliest Editions of Mozart's Duet-Sonata K.19d. Music Review, xxx (1969), 98-105
Tyson, Alan. Notes on the Composition of Mozart's 'Così fan tutte.' Journal of the American Musicological Society, Vol. 37, No. 2 (Summer, 1984), pp. 356-401
Tyson, Alan. The Mozart Fragments in the Mozarteum, Salzburg: A Preliminary Study of Their Chronology and Their Significance. Journal of the American Musicological Society, Vol. 34, No. 3 (Autumn, 1981), pp. 471-510
Tyson, Alan. A Reconstruction of Nannerl Mozart's Music Book (Notenbuch). Music & Letters, Vol. 60, No. 4 (Oct., 1979), pp. 389-400
Tyson, Alan. Two Mozart Puzzles: Can Anyone Solve Them? The Musical Times, Vol. 129, No. 1741 (Mar., 1988), pp. 126-127
Ullrich, Hermann. Maria Theresia Paradis and Mozart.
Walls, Peter. Mozart and the Violin. Early Music, Vol. 20, No. 1, Performing Mozart's Music II (Feb., 1992), pp. 7-24+26+28- 29
Ward, Martha Kingdon Ward. Mozart and the Bassoon. Music & Letters, Vol. 30, No. 1 (Jan., 1949), pp. 8-25
Ward, Martha Kingdon. Mozart and the Clarinet. Music & Letters, Vol. 28, No. 2 (Apr., 1947), pp. 126-153
Ward, Martha Kingdon. Mozart and the Flute. Music & Letters, Vol. 35, No. 4 (Oct., 1954), pp. 294-308
Ward, Martha Kingdon. Mozart and the Horn. Music & Letters, Vol. 31, No. 4 (Oct., 1950), pp. 318-332
Watson, J. Arthur. Beethoven's Debt to Mozart. Music & Letters, Vol. 18, No. 3 (Jul., 1937), pp. 248-258
Watson, J. Arthur. Mozart and the Viola. Music & Letters, Vol. 22, No. 1, (Jan., 1941), pp. 41-53
Webster, James. Review: Mozart's Operas and the Myth of Musical Unity. Cambridge Opera Journal, Vol. 2, No. 2 (Jul., 1990), pp. 197-218
Webster, James. Towards a History of Viennese Chamber Music in the Early Classical Period. Journal of the American Musicological Society, Vol. 27, No. 2 (Summer, 1974), pp. 212-247
Webster, James. Violoncello and Double Bass in the Chamber Music of Haydn and His Viennese Contemporaries, 1750-1780. Journal of the American Musicological Society, Vol. 29, No. 3 (Autumn, 1976), pp. 413-438 (See also a correction to this article in Journal of the American Musicological Society, Vol. 31, No. 1 (Spring, 1978), p. 178)
Whewell, Michael. Mozart's Bassethorn Trios. The Musical Times, Vol. 103, No. 1427 (Jan., 1962), p. 19
Williams, Abdy & Ratner, Mozart G. The Rondo Form, as It Is Found in the Works of Mozart and Beethoven.
Winter, Robert S. The Bifocal Close and the Evolution of the Viennese Classical Style. Journal of the American Musicological Society, Vol. 42, No. 2 (Summer, 1989), pp. 275 -337
Winternitz, Emanuel. Gnagflow Trazom: An Essay on Mozart's Script, Pastimes, and Nonsense Letters. Journal of the American Musicological Society, Vol. 11, No. 2/3 (Summer - Autumn, 1958), pp. 200-216
Wolf, Eugene K. The Rediscovered Autograph of Mozart's Fantasy and Sonata in C Minor, K. 475/457. The Journal of Musicology, Vol. 10, No. 1 (Winter, 1992), pp. 3-47
Woodfield, Ian. John Bland: London Retailer of the Music of Haydn and Mozart. Music & Letters, Vol. 81, No. 2 (May, 2000), pp. 210-244
Wollenberg, Susan. The Jupiter Theme: New Light on Its Creation. The Musical Times, Vol. 116, No. 1591 (Sep., 1975), pp. 781-783 Published by: Musical Times Publications Ltd.
Woodfield, Ian. Mozart's 'Jupiter': A Symphony of Light? The Musical Times, Vol. 147, No. 1897 (Winter, 2006), pp. 25-46
Woodfield, Ian. New Light on the Mozarts' London visit: A Private Concert with Manzuoli. Music and Letters, lxvii (1995), 187-207
Yudkin, Jeremy. Beethoven's "Mozart" Quartet. Journal of the American Musicological Society, Vol. 45, No. 1 (Spring, 1992), pp. 30-74
Zaslaw, Neal. Mozart, Haydn and the Sinfonia da Chiesa. The Journal of Musicology, Vol. 1, No. 1 (Jan., 1982), pp. 95-124
Zaslaw, Neal & Eisen, Cliff. Signor Mozart's Symphony in a Minor, K. Anhang 220 = 16a. The Journal of Musicology, Vol. 4, No. 2 (Spring, 1985 - Spring, 1986), pp. 191-206
Zaslaw, Neal. Mozart's Orchestras: Applying Historical Knowledge to Modern Performances. Early Music, Vol. 20, No. 2, Performing Mozart's Music III (May, 1992), pp. 197- 200+203-205
Zaslaw, Neal. Mozart's Paris Symphonies. The Musical Times, Vol. 119, No. 1627 (Sep., 1978), pp. 753-757
Zeiss, Laurel Elizabeth. Permeable Boundaries in Mozart's 'Don Giovanni.' Cambridge Opera Journal, Vol. 13, No. 2 (Jul., 2001), pp. 115-139
XIII. Journals
Acta Musicologia
American Musicological Society
Early Music
Mozart-Jahrbuch
Musical Quarterly
Musical Review, The
Musicology, The Journal of
Royal Musical Association
XIV. Miscellaneous
Crabtree, Philip D. & Foster, Donald H. & Scott, Allen. Sourcebook for Research in Music. 2005.
Nelson, David. Vienna for the Music Lover: The Complete Guide to Vienna's Musical Sites and Performances Today. 2009.
Wignall, Harrison James. In Mozart's Footsteps: A Travel Guide For Music Lovers. 1991.
Abert, Hermann. W.A. Mozart. 1923-1924.
Deutsch, Otto Erich. Mozart: A Documentary Biography. 1965. (N.B. Excludes Mozart's letters and the Mozart family correspondence.)
Jahn, Otto. W. A. Mozart. 1856.
II. Biography
Banks, Chris A. Mozart: Prodigy of Nature. 1991.
Blom, Eric. Mozart. 1935.
Braunbehrens, Volkmar. Mozart in Vienna: 1781-1791. 1986.
Breakspeare, Eustace J. Mozart. 1902.
Buchner, Alexander. Mozart and Prague. 1962.
Buenzod, E. Mozart. 1930.
Cormican, Brendan. Mozart's Death - Mozart's Requiem: An Investigation. 1991.
Davenport, Marcia. Mozart. 1932.
Einstein, Alfred. Mozart: His Character, His Work. 1945.
Gay, Peter. Mozart. (A Penguin Life) 1999.
Gheon, Henri. In Search of Mozart. 1932. (original French edition, Promenades avec Mozart)
Gutman, Robert. Mozart: A Cultural Biography. 2000.
Haas, Robert. Wolfgang Amadeus Mozart. 1933.
Henry, Jacques. Mozart the Freemason: The Masonic Influence on His Musical Genius. 2006.
Hildesheimer, Wolfgang. Mozart. 1982.
Hussey, Dyneley. Wolfgang Amade Mozart. 1928.
Holmes, Edward. The Life of Mozart. 1845.
Johnson, Paul. Mozart: A Life. 2013.
Keyes, Ivor Christopher Banfield. Mozart: His Music in His Life. 1980.
Koolbergen, Jeroen. Mozart: 1756-1791 (Great Composers). 1998.
Küng, Hans. Mozart: Traces of Transcendence. 1993.
Landon, H. C. Robbins. 1791: Mozart's Last Year. 1988.
Landon, H. C. Robbins. Mozart and the Masons: New Light on the Lodge "Crowned Hope." 1983.
Landon, H.C. Robbins. Mozart and Vienna. 1991.
Landon, H.C. Robbins. Mozart: The Golden Years. 1989.
Lingg, Ann M. Mozart: Genius of Harmony. 1946.
McLean, Ian. Mozart: 1756-1791. 1990.
Melograni, Piero. Wolfgang Amadeus Mozart: A Biography. 2006.
Mersman, Hans. Mozart. 1925.
Morris, James M. (ed.) On Mozart. 1994.
Nettl, Paul. Mozart and Masonry. 1957.
Niemetschek, Franz. Mozart: The First Biography. 1798.
Ottaway, Hugh. Mozart. 1979.
Paumgartner, Bernhard. Mozart. 1927.
Publig, Maria. Mozart. 1991.
Rosselli, John. The Life of Mozart. 1998.
Rushton, Julian. Mozart. 2009.
Sadie, Stanley. Mozart: The Early Years. 2005.
Schenk, Erich. Mozart and His Times. 1955.
Schroeder, David. Mozart in Revolt: Strategies of Resistance, Mischief and Deception. 1999.
Sitwell, Sacheverell. Mozart. 1932.
Solomon, Maynard. Mozart: A Life. 1995.
Stafford, William. The Mozart Myths: A Critical Reassessment. 1991.
Talbot, J. E. Mozart. 1930.
Tchernaya, E. S. Mozart: His Life and Times. 1986.
Tenschert, Roland. Mozart. 1930.
Thomson, Katharine. The Masonic Thread in Mozart. 1977.
Thompson, Wendy. Mozart: A Bicentennial Tribute. 1989.
Turner, W. J. Mozart: The Man and His Works. 1938.
Wates, Roye E. Mozart: An Introduction to the Music, the Man, and the Myths. 2010.
Zaluski, Iwo and Zaluski, Pamela. Mozart in Italy. 2000.
III. Handbooks, Compendiums, Surveys, Overviews, Et Cetera
Biancolli, Louis. (ed.) The Mozart Handbook: A Guide to the Man and His Music. 1954.
Eisen, Cliff. Mozart Studies. 1992.
Eisen, Cliff. Mozart Studies 2. 1998.
Hutchings, Arthur. Mozart: The Man, The Musician. 1976.
Keefe, Simon P. (ed.) The Cambridge Companion to Mozart. 2003.
Keefe, Simon P. (ed.) Mozart Studies. 2006.
Landon, H.C. Robbins. (ed.) The Mozart Companion. 1969.
Landon, H.C. Robbins. (ed.) The Mozart Compendium. 1990.
Landon, H.C. Robbins. The Mozart Essays. 1995.
Lang, Paul Henry. The Creative World of Mozart. 1963.
Link, Dorothea and Nagley, Judith. Words About Mozart: Essays in Honour of Stanley Sadie. 2005.
Rushton, Julian. The New Grove Guide to Mozart and His Operas. 2007.
Sadie, Stanley and Tyrrell, John. The New Grove Mozart. 2003.
Sadie, Stanley. (ed.) Wolfgang Amadè Mozart: Essays on his Life and his Music. 1996.
Zaslaw, Neal and Cowdery, William. The Compleat Mozart: A Guide to the Musical Works of Wolfgang Amadeus Mozart. 1991.
IV. Musicological Analysis
Allanbrook, Wye Jamison. Rhythmic Gesture in Mozart. 1984.
Caplin, William E. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven. 1998.
Damschroder, David. Harmony in Haydn and Mozart. 2012.
Dearling, Robert. The Music of Wolfgang Amadeus Mozart: The Symphonies. 1982.
Dickinson, A. E. F. A Study of Mozart's Last Three Symphonies. 1927.
Dunhill, Thomas. Mozart's String Quartets. 1927.
Etheridge, David. Mozart's Clarinet Concerto: The Clarinetist's View. 1989.
Finscher, L. Wolff, C. (ed.) The String Quartets of Haydn, Mozart, and Beethoven: Studies of the Autograph Manuscripts. 1980.
Flothius, Marius. Mozart's Piano Concertos. 2001.
Fredman, Myer. From Idomeneo to Die Zauberflöte: A Conductor's Commentary on the Operas of Wolfgang Amadeus Mozart. 2002.
Girdlestone, Cuthbert. Mozart and His Piano Concertos. 1948.
Grayson, David. Mozart: Piano Concertos Nos. 20 and 21. 1999.
Greene, David B. The Spirituality of Mozart's Mass in C Minor, Bach's Mass in B Minor, and Messiaen's Quartet for the End of Time: When Hearing Sacred Music Is Relating to God. 2012.
Harlow, Martin. Mozart's Chamber Music with Keyboard. 2012.
Hutchings, Arthur. A Companion to Mozart's Piano Concertos. 1948.
Irving, John. Mozart: The "Haydn" Quartets. 1998.
Irving, John. Mozart's Piano Concertos. 2003.
Irving, John. Mozart's Piano Sonatas: Contexts, Sources, Style. 1997.
Irving, John. Understanding Mozart's Piano Sonatas. 2010.
Keefe, Simon P. Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment. 2001.
Keefe, Simon P. Mozart's Requiem: Reception, Work, Completion. 2012.
Kinderman, William. Mozart's Piano Music. 2006.
King, Alec Hyatt. Mozart Wind and String Concertos. 1978.
Lawson, Colin. Mozart: Clarinet Concerto. 1996.
Leeson, Daniel N. Opus Ultimum: The Story of the Mozart Requiem. 2004.
Levin, Robert D. Who Wrote the Mozart Four-Wind Concertante? 1998.
Marks, F. H. The Sonata: Its Form and Meaning as Exemplified in the Pianoforte Sonatas of Mozart. 1921.
Maunder, C. Richard F. Mozart's Requiem: On Preparing a New Edition. 1988.
Mercado, Mario R. The Evolution of Mozart's Pianistic Style. 1992.
Mirka, Danuta. Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1971. 2009.
Mozart, Wolfgang Amadeus. Practical Elements of Thorough Bass. 1823. (A collection of the composer's lessons compiled by his students and posthumously published.)
Sadie, Stanley. Mozart Symphonies. 1986.
Saint-Foix, Georges de. The Symphonies of Mozart. 1949.
Sisman, Elaine R. Mozart: The Jupiter Symphony. 1993.
Smith, Erik. Mozart Serenades, Divertimenti and Dances. 1982.
Tischler, Hans. A Structural Analysis of Mozart's Piano Concertos. 1966.
Waldoff, Jessica. Recognition in Mozart's Operas. 2006.
Wolff, Christoph. Mozart's Requiem: Historical and Analytical Studies, Documents, Score. 1994.
Yuee, Lai Mee & Yeo, Young-Hwan. A Descriptive Analysis of Mozart Piano Sonata: For the 1st Movement of Mozart Piano Sonata in Bb Major, K.333. 2012.
Zaslaw, Neal. Mozart's Piano Concertos: Text, Context, Interpretation. 1997.
Zaslaw, Neal. Mozart's Symphonies: Context, Performance Practice, Reception. 1989.
V. Opera
Angermüller, Rudolph. Mozart's Operas. 1988.
Bauman, Thomas. W. A. Mozart: Die Entführung aus dem Serail. (Cambridge Opera Handbooks) 1988.
Benn, Christopher. Mozart on the Stage. 1946.
Branscombe, Peter. W. A. Mozart: Die Zauberflöte. (Cambridge Opera Handbooks) 1991.
Brophy, Brigid. Mozart the Dramatist: The Value of His Operas to Him, to His Age, and to Us. 1988.
Brown, Bruce Alan. W. A. Mozart: Così fan tutte. (Cambridge Opera Handbooks) 1995.
Brown-Montesano, Kristi. Understanding the Women of Mozart's Operas. 2007.
Cairns, David. Mozart and His Operas. 2006.
Carter, Tim. W. A. Mozart: Le Nozze di Figaro. (Cambridge Opera Handbooks) 1988.
Chailley, Jacques. The Magic Flute Unveiled: Esoteric Symbolism in Mozart's Masonic Opera. 1992.
Dent, Edward J. Mozart's Operas: A Critical Study. 1913.
Ferrara, William. Staging Scenes from the Operas of Mozart: A Guide for Teachers and Singers. 2014.
Fisher, Burton D. Mozart's Don Giovanni (Opera Classics Library Series) 2002.
Ford, Charles. Così?: Sexual Politics in Mozart's Operas. 1991.
Ford, Charles. Music, Sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Cosi Fan Tutte. 2012.
Fredman, Myer. From Idomeneo to Die Zauberflöte: A Conductor's Commentary on the Operas of Wolfgang Amadeus Mozart. 2002.
Gianturco, Carolyn. Mozart's Early Operas. 1981.
Goehring, Edmund J. Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in Cosí fan tutte. 2004.
Heartz, Daniel. Mozart's Operas. 1992.
Hunter, Mary. Mozart's Operas: A Companion. 2008.
King, Alec Hyatt. Mozart Chamber Music. 1968.
Levarie, Siegmund. Mozart's Le nozze di Figaro: A Critical Analysis. 1952.
Mann, William. The Operas of Mozart. 1977.
Miller, Jonathan. The Don Giovanni Book: Myths of Seduction and Betrayal. 1987.
Osborne, Charles. The Complete Operas of Mozart. 1978.
Rice, John A. Mozart on the Stage. 2009.
Rice, John A. W. A. Mozart: La Clemenza di Tito. (Cambridge Opera Handbooks.) 1991.
Rushton, Julian. W. A. Mozart: Don Giovanni. (Cambridge Opera Handbooks) 1981.
Russell, Charles C. The Don Juan Legend Before Mozart: With a Collection of 18th Century Opera Librettos. 1999.
Steptoe, Andrew. The Mozart-Da Ponte Operas: The Cultural and Musical Background to Le nozze di Figaro, Don Giovanni, and Cosi fan tutte. 1988.
Till, Nicholas. Mozart and the Enlightenment: Truth, Virtue and Beauty in Mozart's Operas. 1992.
Woodfield, Ian. Mozart's Così fan tutte: A Compositional History. 2008.
VI. Performance Practice
Badura-Skoda, Eva and Badura-Skoda, Paul. Interpreting Mozart on the Keyboard. 1962.
Brown, Clive. Classical and Romantic Performing Practice 1750-1900. 1999.
Etheridge, David. Mozart's Clarinet Concerto: The Clarinetist's View. 1989.
Fredman, Myer. From Idomeneo to Die Zauberflöte: A Conductor's Commentary on the Operas of Wolfgang Amadeus Mozart. 2002.
Gerig, Reginald R. Famous Pianists and Their Technique. 1974.
Lloyd-Watts, Valery. Ornamentation: A Question & Answer Manual. 1995.
Marty, Jean-Pierre. The Tempo Indications of Mozart. 1989.
Neumann, Frederick. Ornamentation and Improvisation in Mozart. 1986.
Brown, Howard Mayer and Sadie, Stanley. (eds.) Performance Practice: Music After 1600. 1989.
Rosenblum, Sandra P. Performance Practices in Classic Piano Music: Their Principles and Applications. 1988.
Rothschild, Fritz. Musical Performance in the Times of Mozart and Beethoven. 1961.
Taruskin, Richard. Text and Act: Essays on Music and Performance. 1995.
Todd, R. Larry and Williams, Peter. Perspectives on Mozart Performance. 1991.
Wolff, Konrad. Masters of the Keyboard, Enlarged Edition: Individual Style Elements in the Piano Music of Bach, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. 1990.
VII. Essays in Other Books
Adolphe, Bruce. Of Mozart, Parrots, Cherry Blossoms in the Wind. 1999.
- What Did Mozart Know. 4 pgs.
- Chapter 12: The "storm" music of Beaumarchais' Barbier de Séville. 16 pgs.
- Chapter 13: On Don Giovanni, 2. 10 pgs.
- Chapter 14: Leopold II, Mozart, and the return to a Golden Age. 28 pgs.
- Part II. Mozart's Arrow. 113 pgs.
- Toward a History of Hearing: The Classical Concerto, a Sample Case. 24pgs.
Brendel, Alfred. Alfred Brendel on Music: His Collected Essays. 2001.
- A Mozart Player Gives Himself Advice. 8pgs.
- Minor Mozart: In Defense of His Solo Works. 7 pgs.
- Mozart and Classicism. 9 pgs.
- Various References
Burrows, Raymond & Redmond, Bessie Carroll. (compiled) Symphony Themes. 1942.
Damschroder, David. Harmony in Haydn and Mozart. 2012.
Dirst, Matthew. Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn. 2012.
- 3. What Mozart Learned from Bach. 31 pgs.
- 7. The Enlightenment. 8pgs.
- 8. A Masonic Vision. 13 pgs.
- Part Four. Mozart, Genius Apparent. 73 pgs
- Part Seven. Mozart, Genius Achieved. 73 pgs.
- The Mozart Couple.
- Chapter Three. Wolfgang Amadè Mozart. 8 pgs.
- Mozart and the Mythologization of Genius. 20 pgs.
- Wolfgang Mozart. (Essay by Turner, W. J.)
Geiringer, Karl. The Bach Family: Seven Generations of Creative Genius. 1954.
- Various brief mentions throughout, mostly in reference to the sons of J. S.
- Chapter, Mozart.
- 25. The Child Mozart. 26 pgs.
- 26. An Allegro by Wolfgang Amadeus Mozart. 9 pgs.
- 6. Wolfgang Amadeus Mozart. 15 pgs.
- Chapters 7-9. 231 pgs.
- Chapters 1-3. Mozart. 1781-1791. 289 pgs.
Hogwood, Christopher. (ed.) The Keyboard in Baroque Europe. 2003.
- Part IV, Section 12: Mozart's Non-Metrical Keyboard Preludes. 20 pgs.
- Chapter 5. Mozart. 29 pgs.
- Chapter 10. Mozart: Four Biographies. 16 pgs.
- Chapter 11. Mozart's Last Year. 8pgs.
- Chapter 12. Playing Mozart: The Piano Concertos. 13 pgs.
- Chapter 13. The Magic Flute. 13 pgs.
- Essay: The Immediate Stages of the Erotic, or Musical Erotic. 90 pgs.
King, A. Hyatt. Musical Pursuits: Selected Essays. 1987.
- The Mozarts at the British Museum. 20 pgs.
- Mozart and his Constance. 22 pgs.
Landon, H. C. Robbins in Wolf, Eugene K. and Roesner, Edward H. (eds.) Studies in Musical Sources and Style Essays in Honor of Jan Larue. 1990.
- Mozart's Mass in C Minor, K.427. 5pgs.
- Chapter "Mozart, Wolfgang Amadeus"
- Chapter 3. Fidelity in Translation: Mozart and Da Ponte's Le nozze di Figaro. 30 pgs.
- Chapter 4. Deconstructing Singspiel: Mozart's Die Entführung aus dem Serail. 37 pgs.
- Chapter III. Haydn and Mozart. 21 pgs.
- Bach and Mozart's Artistic Maturity. 33 pgs. (Essay by Marshall, Robert L.)
- Chapter XIV. Mozart. 25 pgs.
Parry, C. Hubert H. Studies of Great Composers. 1900.
- Mozart.
- Chapter 1: Enlightenment and Reaction. 49 pgs.
- Chapter 9. Wolfgang Amadeus Mozart. 41 pgs.
- Chapter 2. The Classical Style. 42 pgs.
- Chapter 4. Serious Opera. 19 pgs.
- Chapter 5. Mozart. 140 pgs.
Part II. Mostly Mozart
- Dramatic and Tonal Logic in Mozart's Operas. 13 pgs.
- Mozart's Entry into the Twentieth Century. 9 pgs.
- The Triumph of Mozart. 7 pgs.
- Drama and Figured Bass in Mozart's Concertos. 34 pgs.
- Mozart and Posterity. 7 pgs.
- Structural Dissonance and the Classical Sonata. 13 pgs.
- Tradition without Convention. 35 pgs.
- Music in the Home II, 41 pgs.
- The Operas of Mozart. 25 pgs.
Schonberg, Harold C. The Great Pianists: From Mozart to the Present. 1963.
Schwarm, Betsy. Operatic Insights: Understanding and Enjoying Great Music for the Stage. 2012.
Schwarz, Boris in Atlas, Allan W. (ed.) Music in the Classical Period Essays in Honor of Barry S. Brook. 1995.
- Violinists around Mozart, 15 pgs.
- Chapter 13. Mozart: Poverty and Genius. 11 pgs.
Includes Short Plot Summaries of:
- Die Entführung aus dem Serail
- Così fan tutte
- Don Giovanni
- Die Zauberflöte
- Le nozze di Figaro
- Chapter 1. Opera and Expression. 21 pgs.
- Chapter 2. Mozart: The Conflict in Don Giovanni. 49 pgs.
- Chapter 3. Mozart: Figaro, Così, and The Magic Flute. 43 pgs.
- Chapter 2. Mozart: The Father of Modern Opera. 40 pgs.
Steen, Michael. The Lives and Times of the Great Composers. 2003.
- Chapter 5. Mozart. 38 pgs.
- Mass in C Minor. 7 pgs.
- Requiem. 11 pgs.
- Symphony No. 35. 1 pg.
- Symphony No. 36. 5 pgs.
- Symphony No. 38. 4 pgs.
- Symphony No. 39. 2 pgs.
- Symphony No. 40. 3 pgs.
- Symphony No. 41. 6 pgs.
- Part II, Section 12. Mozart: Overture to The Marriage of Figaro. 5 pgs.
Taruskin, Richard. Text and Act: Essays on Music and Performance. 1995.
- 10. An Icon For Our Time. 10 pgs.
- 11. A Mozart Wholly Ours. 19 pgs.
- 12. Old (New) Instruments, New (Old) Tempos. 6 pgs.
- Wolfgang Amadeus Mozart. 30 pgs
Vagliavini, Luigi Ferdinando in Austin, William W. (ed.) New Looks at Italian Opera in Honor of Donald J. Grout. 1968.
- Quirino Gasparini and Mozart, 20 pgs.
- Volume I: Symphonies I: KV.250 (4 pgs.), KV.338 (3 pgs.), KV.543 (4 pgs.), KV.550 (4 pgs.), KV.551 (4 pgs.), KV.497 (3 pgs.)
- Volume III: Concertos: KV.414 (3pgs), KV.450 (4 pgs), KV.453 (3.5 pgs.), KV.488 (5.5 pgs.), KV.491 (5 pgs.), KV.313 (1.5 pgs.), KV.314 (3 pgs.), KV.315 (1 pg.), KV.622 (2 pgs.), KV.218 (2 pgs.), KV.219 (3.5 pgs.), KV.261 (1 pg.), KV.299 (3 pgs.)
- Volume IV: Illustrative Music: Overture to Der Schauspieldirektor, KV.486, (1 pg.), Overture to Le Nozze di Figaro, KV.492, (1 pg.), Overture to Die Zauberflöte, KV.620, (2 pgs.), Overture to La Clemenza di Tito, KV.621, (1 pg.), Orchestral Dances: Three Minuets KV.601 and Six Waltzes, KV.567 (1pg.), Masonic Dirge, KV.477, (1 pg.)
- Volume VI: Supplementary Essays, Glossary, and Index: KV.297 (5 pgs.) KV.384: Aria, "Martern aller arten" (2 pgs.), KV.621: Aria, "Deh per questo istante" (3 pgs.), KV.588: Overture (1 pg.)
- Chapter 6. The Viennese Singspiel. 29 pgs.
- Chapter 7. Mozart's German Operas. 29 pgs.
Wolff, Konrad. Masters of the Keyboard, Enlarged Edition: Individual Style Elements in the Piano Music of Bach, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. 1990.
- Mozart. 33 pgs.
VIII. Other Mozart
Adolphe, Bruce. Of Mozart, Parrots, Cherry Blossoms in the Wind. 1999.
Burgess, Anthony. On Mozart: A Paean for Wolfgang. 1991.
Cormican, Brendan. Mozart's Death - Mozart's Requiem: An Investigation. 1991.
Davies, Peter J. Mozart in Person: His Character and Health. 1989.
Du Mont, Mary. The Mozart-Da Ponte Operas: An Annotated Bibliography. 2000.
Farmer, Henry George & Smith, Herbert. New Mozartiana. 1935.
Gruber, Gernot. Mozart and Posterity. 1994.
King, Alec Hyatt. Mozart in Retrospect: Studies in Criticism and Bibliography. 1955.
Leeson, Daniel N. The Mozart Cache: The Discovery and Examination of a Previously Unknown Collection of Mozartiana. 2008.
Maunder, C. Richard F. Mozart's Requiem: On Preparing a New Edition. 1988.
McDonough, Yona Zeldis. Who Was. . . Wolfgang Amadeus Mozart? 2003. (Ages 9-12.)
Nottebohm, Gustav. Mozartiana. 1880.
Solman, Joseph. Mozartiana: Two Centuries of Notes, Quotes, and Anecdotes about Wolfgang Amadeus Mozart. 2002.
Vigeland, Carl. Mostly Mozart Guide to Mozart. 2009.
Woodford, Peggy. Mozart (Illustrated Lives of the Great Composers.) 1990.
IX. On Others in Mozart's Life
Blanning, T. C. W. Joseph II and Enlightened Despotism. 1984.
Bolt, Rodney. The Librettist of Venice: The Remarkable Life of Lorenzo Da Ponte: Mozart's Poet, Casanova's Friend, and Italian Opera's Impresario in America. 2006.
Braunbehrens, Volkmar. Maligned Master: The Real Story of Antonio Salieri. 1992.
Clive, Peter. Mozart and His Circle. 1993.
Da Ponte, Lorenzo. Memoirs. 1823–1827.
Eisen, Cliff. The Symphonies of Leopold Mozart and Their Relationship to the Early Symphonies of Wolfgang Amadeus Mozart: A Bibliographical and Stylistic Study. 1987-1988.
Gärtner, Heinz. Constanze Mozart: After the Requiem. 1991.
Gärtner, Heinz. John Christian Bach: Mozart's Friend and Mentor. 2003.
Glover, Jane. Mozart's Women: His Family, His Friends, His Music. 2005.
Gordon, David & Gordon, Peter. Musical Visitors to Britain. 2005.
Grant, Kerry. S. Dr. Burney as Critic and Historian of Music. 1983.
Halliwell, Ruth. The Mozart Family: Four Lives in a Social Context. 1998.
Hodges, Sheila. Lorenzo Da Ponte: The Life and Times of Mozart's Librettist. 2002.
Holden, Anthony. The Man Who Wrote Mozart: The Extraordinary Life of Lorenzo Da Ponte. 2005.
Honolka, Kurt. Papageno: Emanuel Schikaneder: Man of the Theater in Mozart's Time. 1990.
Moser, Nancy. Mozart's Sister. 2006.
Rice, John A. Antonio Salieri and Viennese Opera. 1999.
Schwerin, Erna. Constanze Mozart: Woman and Wife of A Genius. 1981.
Selby, Agnes. Constanze: Mozart’s Beloved. 1999.
X. Compilations of Primary Sources
Anderson, Emily. (ed.) The Letters of Mozart and His Family. 1938. (Chronologically arranged, translated and edited with an introduction, notes, indices, and extracts from the letters of Constanze Mozart to Johann Anton André. Translated and edited by C. B. Oldman in three volumes.)
Deutsch, Otto Erich. Mozart: A Documentary Biography. 1965.
Irving, John. The Treasures of Mozart. 2012.
Jansen, Johannes. Mozart. 1999. (A book of pictures.)
Kerst, Friedrich. Mozart as Revealed in His Own Words. 1905.
Link, Dorothea. The National Court Theatre in Mozart's Vienna: Sources and Documents 1783-1792. 1998.
Mersmann, Hans. (ed., trans.) [W.A. Mozart] Letters. 1928.
Spaethling, Robert. Mozart's Letters, Mozart's Life. 2000.
Tyson, Alan and Rosenthal, Albi. Mozart's Thematic Catalogue: A Facsimile. 1990.
Neue Mozart Ausgabe Online: The complete editions of Mozart's work, including all the sheet music and critical apparatuses. [Link]
Köchel-Verzeichnis Online: The complete, chronological listing of Mozart's work. [Link]
XI. Other: 18th Century Culture, Thought, Music, Et Cetera
Atlas, Allan W. (ed.) Music in the Classical Period Essays in Honor of Barry S. Brook. 1995.
Bauman, Thomas. North German Opera in the Age of Goethe. 1985.
Blume, Friedrich. Classic and Romantic Music: A Comprehensive Survey. 1970.
Brandenburg, Sieghard. Haydn, Mozart, and Beethoven: Studies in the Music of the Classical Period: Essays in Honour of Alan Tyson. 1999.
Braunbehrens, Volkmar. Mozart in Vienna: 1781-1791. 1986.
Brown, Clive. Classical and Romantic Performing Practice 1750-1900. 1999.
Brown, Howard Mayer and Sadie, Stanley. (eds.) Performance Practice: Music After 1600. 1989.
Buchner, Alexander. Mozart and Prague. 1962.
Burney, Charles. The Present State of Music in France and Italy. 1771.
Caplin, William E. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven. 1998.
DelDonna, Anthony R. and Polzonetti, Pierpaolo (eds.) The Cambridge Companion to Eighteenth-Century Opera. 2009.
Derek, Beales. Enlightenment and Reform in Eighteenth-Century Europe. 2005.
Donington, Robert. Opera and Its Symbols: The Unity of Words, Music, and Staging. 1990.
Downs, Philip G. Classical Music: The Era of Haydn, Mozart, and Beethoven. 1992.
Eisen, Cliff. Orchestral Music in Salzburg, 1750-1780, Recent Researches in the Music of the Classical Era. 1994.
Fiske, Rogert. English Theatre Music in the Eighteenth Century. 1987.
Ford, Charles. Music, Sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Cosi Fan Tutte. 2012.
Gjerdingen, Robert. Music in the Galant Style. 2007.
Gordon, David & Gordon, Peter. Musical Visitors to Britain. 2005.
Heartz, Daniel. Haydn, Mozart, and the Viennese School. 1994.
Heartz, Daniel. Music in European Capitals: The Galant Style, 1720-1780. 2003.
Henderson, W. J. The Orchestra and Orchestral Music. 1899.
Hepokoski, James & Darcy, Warren. Elements of Sonata Theory. 2006.
Hunter, Mary. The Culture of Opera Buffa in Mozart's Vienna. 1999.
Jones, David Wyn. (ed.) Music in Eighteenth-Century Austria. 2006.
Johnstone, H. Diack and Fiske, Roger. The Blackwell History of Music in Britain: The Eighteenth Century. 1990.
Keefe, Simon P. Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment. 2001.
Kirkendale, Warren. Fugue and Fugato in Rococo and Classical Chamber Music. 1979.
Link, Dorothea. The National Court Theatre in Mozart's Vienna: Sources and Documents 1783-1792. 1998.
MacIntyre, Bruce C. The Viennese Concerted Mass of the Early Classical Period. 1986.
Maunder, Richard. Keyboard Instruments in Eighteenth-Century Vienna. 1998.
McVeigh, Simon. Concert Life in London from Mozart to Haydn. Cambridge University Press. 2006.
Morrow, Mary Sue. Concert Life in Haydn's Vienna: Aspects of a Developing Musical and Social Institution. 1989.
Morrow, Mary Sue. German Music Criticism in the Late Eighteenth Century: Aesthetic Issues in Instrumental Music. 1989.
Nelson, David. Vienna for the Music Lover: The Complete Guide to Vienna's Musical Sites and Performances Today. 2009.
Newman, William S. The Sonata in the Classic Era. 1983.
Pestelli, Giorgio. The Age of Mozart and Beethoven. 1984.
Ratner, Leonard G. Classic Music: Expression, Form and Style. 1980.
Roeder, Michael Thomas. A History of the Concerto. 1994.
Rosenblum, Sandra P. Performance Practices in Classic Piano Music: Their Principles and Applications
Rothschild, Fritz. Musical Performance in the Times of Mozart and Beethoven. 1961.
Schenk, Erich. Mozart and His Times. 1955.
Scherer, F. M. Quarter Notes and Bank Notes: The Economics of Music Composition in the Eighteenth and Nineteenth Centuries. 2003.
Scholes, Percy. Dr. Burney's Musical Tours in Europe. 1959.
Sisman, Elaine R. Haydn and the Classical Variation. 1993.
Spaethling, Robert. Music and Mozart in the Life of Goethe. 1987.
Steblin, Rita. History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries. 1983.
Tapié, Victor L. The Rise and Fall of the Habsburg Monarchy. 1969.
Taruskin, Richard. Text and Act: Essays on Music and Performance. 1995.
Whitmore, Philip. Unpremeditated Art: The Cadenza in the Classical Keyboard Concerto. 1991.
Zaslaw, Neal. (ed.) The Classical Era: From the 1740s to the End of the 18th Century. 1989.
XII. Articles
Allanbrook, Wye J. & Hilton, Wendy. Dance Rhythms in Mozart's Arias. Early Music, Vol. 20, No. 1, Performing Mozart's Music II (Feb., 1992), pp. 142-149
Allanbrook, Wye J. Metric Gesture as a Topic in "Le Nozze di Figaro" and "Don Giovanni". The Musical Quarterly, Vol. 67, No. 1 (Jan., 1981), pp. 94-112
Allanbrook, Wye J. Pro marcellina: The Shape of 'Figaro', Act IV. Music & Letters, Vol. 63, No. 1/2 (Jan. - Apr., 1982), pp. 69-84
Anderson, Robert. Haydn and Mozart. The Musical Times, Vol. 126, No. 1711 (Sep., 1985), p. 539
Arthur, John and Schachter, Carl. Mozart's "Das Veilchen" The Musical Times, Vol. 130, No. 1753 (Mar., 1989), pp. 149-155+163-164
Badura-Skoda, Paul. Mozart without the Pedal? The Galpin Society Journal, Vol. 55 (Apr., 2002), pp. 332-350
Baker, Jack. Elgar and Mozart's G Minor Symphony. The Musical Times, Vol. 76, No. 1114 (Dec., 1935), pp. 1123-1124
Balthazar, Scott. L. Tonal and Motivic Process in Mozart's Expositions. The Journal of Musicology, Vol. 16, No. 4 (Autumn, 1998), pp. 421-466
Barshack, Lior. The Sovereignty of Pleasure: Sexual and Political Freedom in the Operas of Mozart and Da Ponte. Law and Literature, Vol. 20, No. 1 (Spring 2008), pp. 47-67
Barth, George. Mozart Performance in the 19th Century. Early Music, Vol. 19, No. 4, Performing Mozart's Music I (Nov., 1991), pp. 538-555
Batley, E. M. Emanuel Schikaneder: The Librettist of 'Die Zauberflöte'. Music & Letters, Vol. 46, No. 3 (Jul., 1965), pp. 231-236
Bauman, Thomas. Mozart's Belmonte. Early Music, Vol. 19, No. 4, Performing Mozart's Music I (Nov., 1991), pp. 556-563
Bauman, Thomas. Requiem, but No Piece. 19th-Century Music, Vol. 15, No. 2, Toward Mozart (Autumn, 1991), pp. 151-161
Benade, Arthur H. Woodwinds: The Evolutionary Path Since 1700. The Galpin Society Journal, Vol. 47 (Mar., 1994), pp. 63-110
Bilson, Malcolm & Tassel, Eric van. Interpreting Mozart. Early Music, Vol. 12, No. 4, The Early Piano I (Nov., 1984), pp. 519-522
Blume, Friedrich & Broder, Nathan. Requiem but No Peace. The Musical Quarterly, Vol. 47, No. 2 (Apr., 1961), pp. 147-169
Bonds, Mark Evan. Replacing Haydn: Mozart's ‘Pleyel’ Quartets. Music and Letters (2007) 88 (2): 201-225.
Broder, Nathan. The First Guide to Mozart. The Musical Quarterly, Vol. 42, No. 2 (Apr., 1956), pp. 223-229
Broder, Nathan. Mozart and the "Clavier." The Musical Quarterly, Vol. 27, No. 4 (Oct., 1941), pp. 422-432
Broder, Nathan. The Wind-Instruments in Mozart's Symphonies. The Musical Quarterly, Vol. 19, No. 3 (Jul., 1933), pp. 238-259
Brofsky, Howard. Doctor Burney and Padre Martini: Writing a General History of Music. The Musical Quarterly, Vol. 65, No. 3 (Jul., 1979), pp. 313-345
Brook, Peter & Laurent, Feneyrou & Sidgwick, John. A Conversation: Peter Brook on Mozart's Don Giovanni. Grand Street, No. 66, Secrets (Fall, 1998), pp. 17-31
Brown, Peter. Haydn and Mozart's 1773 Stay in Vienna: Weeding a Musicological Garden.
Brown, A. Peter. Notes on Some Eighteenth-Century Viennese Copyists. Journal of the American Musicological Society, Vol. 34, No. 2 (Summer, 1981), pp. 325-338
Brown, Bruce Allen & Rice, John A. Salieri's 'Cosi fan tutte.' Cambridge Opera Journal, Vol. 8, No. 1 (Mar., 1996), pp. 17-43
Buch, David J. Fairy-Tale Literature and "Die Zauberflöte". Acta Musicologica, Vol. 64, Fasc. 1 (Jan. - Jun., 1992), pp. 30-49
Buch, David J. Die Zauberflöte, Masonic Opera, and Other Fairy Tales. Acta Musicologica, [Vol.] 76, [Fasc.] 2 (2004), pp. 193-219
Branscombe, Peter. Die Zauberflöte: Some Textual and Interpretative Problems. Proceedings of the Royal Musical Association, 92nd Sess. (1965 - 1966), pp. 45-63
Brown, Marshall. Mozart, Bach, and Musical Abjection. The Musical Quarterly, Vol. 83, No. 4 (Winter, 1999), pp. 509-535
Brunswick, Mark. Beethoven's Tribute to Mozart in "Fidelio". The Musical Quarterly, Vol. 31, No. 1. (Jan., 1945), pp. 29-32.
Caplin, William E. The Classical Cadence: Conceptions and Misconceptions. Journal of the American Musicological Society, Vol. 57, No. 1 (Spring, 2004), pp. 51- 117
Cavett-Dunsby, Esther. Mozart's Codas. Music Analysis, Vol. 7, No. 1 (Mar., 1988), pp. 31-51
Cavett-Dunsby, Esther. Mozart's 'Haydn' Quartets: Composing up and down without Rules. Journal of the Royal Musical Association, Vol. 113, No. 1 (1988), pp. 57-80
Chapin, Keith. Strict and Free Reversed: The Law of Counterpoint in Koch’s Musikalisches Lexikon and Mozart’s Dauberflöte. Eighteenth-Century Music 3/1, 91–107
Chestnut, John Hind. Mozart's Teaching of Intonation. Journal of the American Musicological Society, Vol. 30, No. 2 (Summer, 1977), pp. 254-271
Churgin, Bathia. Beethoven and Mozart's Requiem: A New Connection. The Journal of Musicology, Vol. 5, No. 4 (Autumn, 1987), pp. 457-477
Clarke, Bruce Cooper. Albert von Mölk: Mozart Myth-Maker? Study of an 18th Century Correspondence. MJb 1995, 155-91
Clive, Geoffrey. The Demonic in Mozart. Music & Letters, Vol. 37, No. 1 (Jan., 1956), pp. 1-13
Cohn, Richard. Metric and Hypermetric Dissonance in the Menuetto of Mozart's Symphony in G Minor, K. 550. Intégral, Vol. 6 (1992), pp. 1-33
Corneilson, Paul. An Intimate Vocal Portrait of Dorothea Wendling: Mozart's "Basta, vincesti. . . Ah non lasciarmi, no" K.295a. MJb 2000
Cuming, Geoffrey. Mozart's Oboe Concerto for Ferlendis. Music & Letters, Vol. 21, No. 1 (Jan., 1940), pp. 18-22
Davies, Peter J. Mozart's Illnesses and Death - 1. The Illnesses, 1756 - 90. The Musical Times, Vol. 125, No. 1698 (Aug., 1984), pp. 437-442
Davies, Peter J. Mozart's Illnesses and Death - 2. The Last Year and the Fatal Illness. The Musical Times, Vol. 125, No. 1700 (Oct., 1984), pp. 554-557+559-561
Davies, Peter. Mozart's Manic-Depressive Tendencies. 2. The Musical Times, Vol. 128, No. 1730 (Apr., 1987), pp. 191+193-196
Deutsch, O. E. Count Deym and His Mechanical Organs. Music & Letters, Vol. 29, No. 2 (Apr., 1948), pp. 140-145
Donington, Robert. Don Giovanni Goes to Hell. The Musical Times, Vol. 122, No. 1661 (Jul., 1981), pp. 446-448
Dreyfus, Laurence. The Hermeneutics of Lament: A Neglected Paradigm in a Mozartian 'Trauermusik'. Music Analysis, Vol. 10, No. 3. (Oct., 1991), pp. 329-343.
Dreyfus, Laurence. Mozart as Early Music: A Romantic Antidote. Early Music, Vol. 20, No. 2, Performing Mozart's Music III (May, 1992), pp. 297- 298+300-303+305-306+308-309
Durante, Sergio. The Chronology of Mozart's 'La clemenza di Tito' Reconsidered. Music & Letters, Vol. 80, No. 4 (Nov., 1999), pp. 560-594
Durante, Sergio. Considerations on Mozart's Changing Approach to Recitatives and on Other Choices of Dramaturgical Significance. MJb 2001, 231-44
Ebisawa, Bin. The Requiem: Mirror of Mozart Performance History. Early Music, Vol. 20, No. 2, Performing Mozart's Music III (May, 1992), pp. 279- 283+285-286+289-294
Edgar, Clifford B. Mozart's Early Efforts in Opera. Proceedings of the Musical Association, 32nd Sess. (1905 - 1906), pp. 45-58
Edge, Dexter. Attributing Mozart (i): Three Accompanied Recitatives. Cambridge Opera Journal, Vol. 13, No. 3 (Nov., 2001), pp. 197-237
Edge, Dexter. Mozart's Fee for 'Così fan tutte'. Journal of the Royal Musical Association, Vol. 116, No. 2 (1991), pp. 211-235
Edge, Dexter. Mozart's Viennese Orchestras. Early Music, Vol. 20, No. 1, Performing Mozart's Music II (Feb., 1992), pp. 63-65+67- 69+71-88
Einstein, Alfred. Two Missing Sonatas by Mozart. Music & Letters, Vol. 21, No. 1 (Jan., 1940), pp. 1-17
Einsten, Alfred & Mendel, Arthur. Mozart's Choice of Keys. The Musical Quarterly, Vol. 27, No. 4 (Oct., 1941), pp. 415-421
Eisen, Cliff. Another Look at the 'Corrupt Passage' in Mozart's G Minor Symphony, K550: Its Sources, 'Solution' and Implications for the Composition of the Final Trilogy. Early Music, Vol. 25, No. 3 (Aug., 1997), pp. 373-380
Eisen, Cliff. Contributions to a New Mozart Documentary Biography. Journal of the American Musicological Society, xxxix (1986), 620-23
Eisen, Cliff. Mozart Apocrypha. Musical Times, cxxvii (1986), 685
Eisen, Cliff. Mozart's Salzburg Orchestras. Early Music, Vol. 20, No. 1, Performing Mozart's Music II (Feb., 1992), pp. 89-90+93- 96+98-100+103
Eisen, Cliff & Wintle, Christopher. Mozart's C Minor Fantasy, K.475: An Editorial 'Problem' and Its Analytical and Critical Consequences. Journal of the Royal Musical Association, Vol. 124, No. 1 (1999), pp. 26-52
Eisen, Cliff. The Old and New Mozart Editions. Early Music, Vol. 19, No. 4, Performing Mozart's Music I (Nov., 1991), pp. 513-532
Englander, Richard & Mendel, Arthur. The Sketches for "The Magic Flute" at Upsala. The Musical Quarterly, Vol. 27, No. 3 (Jul., 1941), pp. 343-355
Ferguson, Faye. The Classical Keyboard Concerto: Some Thoughts on Authentic Performance. Early Music, Vol. 12, No. 4, The Early Piano I (Nov., 1984), pp. 437-445
Fitzpatrick, Horace. Some Historical Notes on the Horn in Germany and Austria. The Galpin Society Journal. Vol. 16 (May, 1963), pp. 33-48
Freyhan, Michael. Toward the Original Text of Mozart's "Die Zauberflöte." Journal of the American Musicological Society, Vol. 39, No. 2 (Summer, 1986), pp. 355 -380
Galand, Joel. Form, Genre, and Style in the Eighteenth-Century Rondo. Music Theory Spectrum, Vol. 17, No. 1 (Spring, 1995), pp. 27-52
Galand, Joel. The Large-Scale Formal Role of the Solo Entry Theme in the Eighteenth-Century Concerto. Journal of Music Theory, Vol. 44, No. 2 (Autumn, 2000), pp. 381-450
Geiringer, Karl. Leopold Mozart. The Musical Times, Vol. 78, No. 1131 (May, 1937), pp. 401-404
Geiringer, Karl. W. A. Mozart the Younger. The Musical Quarterly, Vol. 27, No. 4 (Oct., 1941), pp. 456-473
Griswold, Harold E. Mozart's 'Good Wood-Biter': Georg Wenzel Ritter (1748-1808). The Galpin Society Journal, Vol. 49 (Mar., 1996), pp. 103-112
Hellyer, Roger. Mozart's Harmoniemusik and Its Publishers. The Musical Times, Vol. 122, No. 1661 (Jul., 1981), pp. 468-472
Hepokiski, James. Beyond the Sonata Principle. Journal of the American Musicological Society, Vol. 55, No. 1 (Spring, 2002), pp. 91- 154
Hutchings, Arthur. The Keyboard Concerto. Music & Letters, Vol. 23, No. 4 (Oct., 1942), pp. 298-311
Istel, Edgar & Baker, Theodore. Mozart's "Magic Flute" and Freemasonry. The Musical Quarterly, Vol. 13, No. 4 (Oct., 1927), pp. 510-527
Jan, Steven. The Evolution of a 'Memeplex' in Late Mozart: Replicated Structures in Pamina's 'Ach ich fühl's'. Journal of the Royal Musical Association, Vol. 128, No. 1 (2003), pp. 30-70
Johnson, Lee. 'The Last Scene of "Don Giovanni" ': A Newly Discovered Delacroix. The Burlington Magazine, Vol. 138, No. 1122 (Sep., 1996), pp. 605-607
Fowler, W. Warde. Mozart and the Europe of His Day. I. Music & Letters, Vol. 1, No. 2 (Apr., 1920), pp. 111-122
Grave, Floyd K. Common-Time Displacement in Mozart.
Goertzen, Chris. Compromises in Orchestration in Mozart's "Coronation" Concerto. The Musical Quarterly, Vol. 75, No. 2 (Summer, 1991), pp. 148-173
Hacker, Alan. Mozart and the Basset Clarinet. The Musical Times, Vol. 110, No. 1514 (Apr., 1969), pp. 359-362
Haggin, B. H. Three Mozart Andantes. The Sewanee Review, Vol. 73, No. 4 (Autumn, 1965), pp. 622-629
Hall, Vernon Jr. Joyce's Use of Da Ponte and Mozart's Don Giovanni. PMLA, Vol. 66, No. 2 (Mar., 1951), pp. 78-84
Harutunian, John. Haydn and Mozart: Tonic, Dominant Polarity in Mature Sonata-Style Works. Studia Musicologica Academiae Scientiarum Hungaricae, T. 31, Fasc. 1/4 (1989), pp. 217- 240
Haynes, Bruce. Mozart and the Oboe. Early Music, Vol. 20, No. 1, Performing Mozart's Music II (Feb., 1992), pp. 43- 50+53+55-57+59-63
Heartz, Daniel. Constructing Le nozze di Figaro. Journal of the Royal Musical Association, cxii (1987), 77-98
Heartz, Daniel. The Genesis of Mozart's 'Idomeneo.' The Musical Quarterly, Vol. 55, No. 1 (Jan., 1969), pp. 1-19
Heartz, Daniel. The Great Quartet in Mozart's Idomeneo. Music Forum, v (1980), 233-56
Heartz, Daniel. La clemenza di Sarastro. Masonic Benevolence in Mozart's Last Operas. The Musical Times, Vol. 124, No. 1681 (Mar., 1983), pp. 152-157
Heartz, Daniel. Mozart, His Father and 'Idomeneo.' The Musical Times
Vol. 119, No. 1621 (Mar., 1978), pp. 228-231
Heartz, Daniel. Mozart's Sense for Nature. 19th-Century Music, Vol. 15, No. 2, Toward Mozart (Autumn, 1991), pp. 107-115
Heartz, Daniel. Raaff's Last Aria: A Mozartian Idyll in the Spirit of Hasse. Musical Quarterly, lx (1974), 517-43
Heartz, Daniel. Tonality and Motif in Idomeneo. Musical Times, cxv (1974), 382-6
Hellyer, Roger. The Transcriptions for 'Harmonie' of 'Die Entführung aus dem Serail'. Proceedings of the Royal Musical Association, Vol. 102 (1975 - 1976), pp. 53-66
Hoffman, E. T. A. & Loft, Abram. "Don Giovanni": A Marvelous Adventure Which Befell a Traveling Enthusiast. The Musical Quarterly, Vol. 31, No. 4 (Oct., 1945), pp. 504-516
Holmes, E. Mozart's Masses. No. 1. The Musical Times and Singing Class Circular, Vol. 5, No. 101 (Oct. 1, 1852), pp. 67-70
Holmes, E. Mozart's Masses (In Continuation). The Musical Times and Singing Class Circular, Vol. 5, No. 106 (Mar. 1, 1853), pp. 147- 149
Hunter, Mary. 'Se voul ballare' Quoted: An Early Moment in the Reception History of 'Figaro.' The Musical Times, Vol. 130, No. 1758 (Aug., 1989), pp. 464-467
Hutchings, Arthur. Viennese Counterpoint. The Musical Times, Vol. 83, No. 1194 (Aug., 1942), pp. 237-239
Irving, John. Haydn's Influence on Mozart's Sonatas, K. 279-84: Fact or Fiction? Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap, Vol. 53 (1999), pp. 137-150
Judd, Percy. Delacroix on Music. Music & Letters, Vol. 43, No. 4 (Oct., 1962), pp. 340-344
Kamien, Roger & Wagner, Naphtali. Bridge Themes within a Chromaticized Voice Exchange in Mozart Expositions. Music Theory Spectrum, Vol. 19, No. 1 (Spring, 1997), pp. 1-12
Kearns, Andrew. The Orchestral Serenade in Eighteenth-Century Salzburg. Journal of Musicological Research, xvi (1997), 163-97
Keefe, Simon P. A Complementary Pair: Stylistic Experimentation in Mozart's Final Piano Concertos, K.537 in D and K.595 in B♭. The Journal of Musicology, Vol. 18, No. 4 (Autumn, 2001), pp. 658-684
Keefe, Simon P. Dramatic Dialogue in Mozart's Viennese Piano Concertos: A Study of Competition and Cooperation in Three First Movements. The Musical Quarterly, Vol. 83, No. 2 (Summer, 1999), pp. 169-204
Keefe, Simon P. The 'Jupiter' Symphony in C, K. 551: New Perspectives on the Dramatic Finale and Its Stylistic Significance in Mozart's Orchestral Œuvre. Acta Musicologica, [Vol.] 75, [Fasc.] 1 (2003), pp. 17-43
Keller, Hans. Mozart. The Revolutionary Chamber Musician. The Musical Times, Vol. 122, No. 1661 (Jul., 1981), pp. 465-468
Keller, Hans. Mozart's Wrong Key Signature. Tempo, New Series, No. 98 (1972), pp. 21-27
Kinderman, William. Subjectivity and Objectivity in Mozart Performance. Early Music, Vol. 19, No. 4, Performing Mozart's Music I (Nov., 1991), pp. 593-600
King, A. Hyatt. A Census of Mozart Musical Autographs in England. The Musical Quarterly, Vol. 38, No. 4 (Oct., 1952), pp. 566-580
King, A. Hyatt. The Melodic Sources and Affinities of "Die Zauberflöte." The Musical Quarterly, Vol. 36, No. 2 (Apr., 1950), pp. 241-258
King, A. Hyatt. Mozart. The Musical Times, Vol. 128, No. 1728 (Feb., 1987), p. 90
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Zaslaw, Neal. Mozart's Paris Symphonies. The Musical Times, Vol. 119, No. 1627 (Sep., 1978), pp. 753-757
Zeiss, Laurel Elizabeth. Permeable Boundaries in Mozart's 'Don Giovanni.' Cambridge Opera Journal, Vol. 13, No. 2 (Jul., 2001), pp. 115-139
XIII. Journals
Acta Musicologia
American Musicological Society
Early Music
Mozart-Jahrbuch
Musical Quarterly
Musical Review, The
Musicology, The Journal of
Royal Musical Association
XIV. Miscellaneous
Crabtree, Philip D. & Foster, Donald H. & Scott, Allen. Sourcebook for Research in Music. 2005.
Nelson, David. Vienna for the Music Lover: The Complete Guide to Vienna's Musical Sites and Performances Today. 2009.
Wignall, Harrison James. In Mozart's Footsteps: A Travel Guide For Music Lovers. 1991.
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