Is it tremendously significant to point them out? Perhaps not, but I've always found such musicological sleuthing quite fun. Still, the similarities do reveal points of interest.
How grateful one feels to see the hidden world of the theme from Die Zauberflöte, which we just glimpse in the opera, open up in so many ways in the rondo of the Trio. Look in Example 2 how many variations Mozart gets from the main theme, itself a variation from the set in the Violin Sonata. In Ex. 3 how different are the effects of the second subjects on that same heartbroken siciliana. Yet how similar the moods in Ex. 4, in which both manage the curious pairing of great affectiveness and even danger along with a detached, almost ethereal, innocence. The last pairing exemplifies the consistently operatic nature of Mozart's music even across genres.
1.
Piano Trio in E, KV.542 - Andante grazioso [YouTube]2.
Die Zauberflöte, KV.620: Act I: Quintett: Hm! hm! hm! hm! (theme from the Andante at m.214) 4:47 [YouTube]
Violin Sonata in F, KV.377 - Variation No. 6: Siciliana [YouTube]3.
String Quartet in D minor, KV.421 - Allegretto ma non troppo [YouTube]
Piano Sonata No. 2 in F, KV.280/189e - Adagio [YouTube]4.
Piano Concerto No. 23 in A major, KV.488 - Adagio [YouTube]
Piano Concerto No. 18 in B-flat major, KV.456 - Andante un poco sostenuto [YouTube]5.
Le Nozze di Figaro, KV.492: Act IV: L'ho perduta . . . me meschina [YouTube]
Missa Solemnis in C, KV.337 - Agnus Dei [YouTube]
Le Nozze di Figaro, KV.492: Act II: Porgi amor [YouTube]
No comments:
Post a Comment