Saturday, November 28, 2015
Art, Vomit, and Being Forgotten
Oh the unpredictable, discursive paths of the internet. I was searching for a particular picture of the Harpies, the mythological creatures not those running for the presidency, and I naturally came upon the image to the right of Lady Gaga as, presumably, a siren. After my momentary amusement–the internet specialty–I of course wondered what had happened to her. After the noise of her meteoric rise I couldn't seem to recall anything of her. So I clicked on and to my surprise found an article discussing her present irrelevancy.
On the one hand this surprises, because who expects in the world of pop culture zombies any of the walking dead to pronounce another defunct? On the other hand, the observation is frustrating because there was never anything to celebrate in the first place. Shocking is only shocking for a brief moment, or maybe the span of a double-take, but as the urinals turn into preserved sharks and the sharks into crystal skulls and the skulls into balloon statues, at some point there are no more envelopes to push or notions to challenge. Then there is only cultivated talent, patient study, and creativity within tradition. Even modern audiences intuitively understand this in their limited way, though lacking any consent to the forces of conservatism on which their judgment rests.
Amusingly, the author of the article chides Gaga for declaring herself atop the pecking order. How lacking in egalitarian kindness. Yet this is precisely how traditionalists feel about much of modern life. How dare we pronounce anything–any piece of art, style, philosophy, or individual–which has not stood the test of time and been measured against its predecessors, with the honor of excellence. In my weaker moments I like to chide people by asking them about, "that thing they were really into ten years ago." They usually laugh, but I mean it as a serious indictment of tastelessness and soullessness. Horace and Mozart are waiting patiently at Parnassus if we are willing in humility to make the trek.
The alternative is all temporary titillation. It's all rah-rah ooh-la-la until someone is vomiting on you on stage.
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creativity within tradition. Even modern audiences intuitively understand this in their limited way, though lacking any consent to the forces of conservatism on which their judgment rests.
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