Ideas

Last week at The Hannibal Blog, Andreas Kluth put the question, "Greatest thinkers: Greeks or Germans?" Of course the challenge is a bit of a joke of the fact so many great thinkers were Greek or German. I did begin to consider though, "what do you mean by great?" Do you mean "profound" or "original?" Many great ideas were first considered by a Greek thinker of the ancient world, but found their perfect expression later. By this I mean that many artists put ideas more clearly, succinctly, and beautifully than the philosophers who first thought of them did. Surely some philosophers were great authors and stylists, namely Plato and Nietzsche. Aristotle's prose is remarkable for its clarity and succinctness, but it is still dense and technical. Some philosophers, like Kant, were abysmal prose stylists and their work is excruciating to read.  

Thus I thought, which works of art gave a philosophical idea, or even more specifically a metaphysical idea, its most clear, beautiful, and succinct expression? Of course all art is about some idea, but I was considering particularly abstract or philosophical ideas or ideas expressed in their most abstract or "pure" form. For example, I excluded expressions of a dramatic, descriptive, or pictorial nature. Likewise I considered whether the form of expression was appropriate, particularly appropriate, or most appropriate, for the idea. In the examples I selected I believe the form is ideal for the idea.

I also did consider mean statements simply well-said like, "the highest form of Human Excellence is to question oneself and others (Socrates) and "It is the mark of an educated mind to be able to entertain a thought without accepting it." (Aristotle) Rather my thinking was to find an expression of an idea so extraordinary as to be a perfect expression of its essence, and one which invites the reader into an experience of it. Philosophers sometimes succeed here, for example, Nietzsche's statement, "Battle not with monsters, lest ye become a monster, and if you gaze into the abyss, the abyss gazes also into you" is no mere assertion but an aphorism fraught with portent.

Thus we might say what I was looking for were expressions not about an idea, but which themselves constituted the idea. For example, Nietzsche's statement draws you into the question and makes the experience it is about and draws you into it.

The following were the first to my mind, though I welcome suggestions and there will likely be a Part II at some point. Music being the most abstract of expressive forms I am sure could predominate. I'm sure Beethoven ought to figure more prominently and one might consider the Mozartian overture in general as a fine example of what I am considering. I have discussed them here.

I have refrained from commenting where possible, since these works by nature are highly condensed, expressing much with little. Where necessary I offered some explication just to get the ball of inquiry rolling. In my experience starting to think about any of these pieces takes you down many and long roads.


Part I. Being, Non-Being, and Becoming


i. Overture to Don Giovanni, KV.521 (W.A. Mozart)

". . . the work is not about guilt and retribution but simply about being and non-being, and the overwhelming tragedy of the conclusion rests on the grandeur and terror of the action as such, not on the triumph of moral laws over the world of appearances." [Abert, 1050.]

James Levine, conducting.

ii. Piano Concerto 21, KV.467. Andante. (W. A. Mozart)

. . . the form is "a becoming." In it we may be aware of phrases, of sequences which show metabolism. . . but the main principle of its form is the approach to and decline from climax. . . we imagine ourselves to be the performer; if we do not live along its line, we are not fulfilling the composer's demands of us. [Hutchings, 139.]

iii. Hamlet, Act III, Scene I. (William Shakespeare)

– "To be, or not to be. . ."

iv. Das Rheingold - Scene 1: Prelude (Richard Wagner)

. . . It symbolizes the primitive element, water, in state of repose; the water from which, according to the teaching of mythology, life springs complete with all its struggles and passions. During this long sustained note we hear the beginnings of life; but those are things which are outside the province of words, and which music alone, speaking without an intermediary to the intelligence, can hope to make us comprehend. [Lavignac, 343.]

Georg Solti conducting The Vienna Philharmonic Orchestra.

v. Fragments (Heraclitus)

• X: Nature loves to hide.
• L: As they step into the same rivers, other and still other waters flow upon them.
• CIII: The way up and down is one and the same.

Part II. The Problem of Knowledge

Items i-iii cannot be adequately shared here. Their length and nature is such that to divide them is to destroy their messages. I have, though, written on 2001 and Solaris.


i. 2001: A Space Odyssey (Stanley Kubrick)

ii. Solaris (Andrei Tarkovsky)

iii. Rashomon (Akira Kurosawa)

Briefly to comment: Rashomon is a sort of hermeneutic riddle. What happened, and how do we interpret these descriptions of the events?

iv. Claude Monet: Haystacks

–See the variations at Wikipedia.

v. Four Quartets, II. East Coker. iii. (T. S. Eliot)

You say I am repeating
Something I have said before. I shall say it again.
Shall I say it again? In order to arrive there,
To arrive where you are, to get from where you are not,
You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know
You must go by a way which is the way of ignorance.
In order to possess what you do not possess
You must go by the way of dispossession.
In order to arrive at what you are not
You must go through the way in which you are not.
And what you do not know is the only thing you know
And what you own is what you do not own
And where you are is where you are not.


vi. The School of Athens (Raffaello Sanzio da Urbino)

Causarum Cognitio, but how do we get it? The full painting is a sort of galaxy of philosophy, with other philosophers as constellations around the fundamental, intertwined, and yet opposing figures of Plato and Aristotle.

See whole image at Wikipedia.

Part III. The Divine Mystery

i. Mass in B minor - Gloria - Duet: Domine Deus (J. S. Bach)

The  canon "'neither confounds the Persons nor divides the substance', for the figure that is detached in one voice is slurred in the other." [Tovey, V. 38.]

IV. Love

i. Prelude to Tristan und Isolde

An unfolding of themes, ceaselessly modulating. . . "the tension growing towards, and relaxing from, a climax of passion; and the passion is the love of Tristan and Isolde." [Tovey, IV. 125.)

Zubin Mehta conducting Bayerische Staatsoper, Bayerisches Staatsorchester

–

Bibliography

Abert, Hermann. W. A. Mozart. Yale University Press. New Haven and New York. 2007.

Hutchings, Arthur. A Companion to Mozart's Piano Concertos. Oxford University Press. New York. 1948.

Lavignac, Albert. The Music Dramas of Richard Wagner and His Festival Theatre in Bayreuth. Dodd, Mead, and Company. New York. 1898. 

Tovey, Donald Francis. Essays in Musical Analysis, Volume IV. Illustrative Music. "Tristan und Isolde. Prelude." Oxford University Press. 1965.

Tovey, Donald Francis. Essays in Musical Analysis, Volume V. Vocal Music. "Bach. B Minor Mass." Oxford University Press. 1965.

Brief Comments on the Law

Originally a comment at The Hannibal Blog post, "Justice: by truth or victory?" and cross-posted here.

1. Andreas Kluth posed the question:

Which sort of judicial system, generally speaking, is more likely to lead to justice? One that:

• looks for the truth, or
• lets two sides fight it out to see who wins?

The first philosophy — justice as a search for truth — we call the inquisitorial system (because a judge sets out to inquire after the facts of a case, ie the truth).

The second philosophy — justice by duking it out until one side is left standing — we call the adversarial system (because two adversaries and their lawyers meet in court, and a judge merely makes sure that the rules are observed).

2. I'm somewhat more bullish on the "adversarial system" insofar as it seems essentially dialectical, i.e. that we expect truth to come out of the opposing ideas. Of course the adversarial system could be nothing but a glorified duel. Indeed, as one could show, it often has been, but I do not think it is of essence. We expect in this system not that each side be equally persuasive, but as persuasive as possible since the system assumes there is only one truth. Also, the arguments for both sides might be deficient, but seeing both of them resulted in a synthesis (truth.) This system is of course subject to the availability of facts and quality of logic.

3. Now the inquisitorial is ostensibly truth seeking too and just as dependent on the need of facts and logic. The difference is that the inquisitorial system is entirely dependent on the inquisitor's logic (would an "inquisitory panel" be more reliable? The term certainly reeks of totalitarianism.) whereas in the adversarial system, even if carried out poorly, there would be some element of contrast.

4. The problems seem in both cases to be 1) human error, and 2) the lack of finite methods for dealing with these cases. Regarding point No. 2, such is why many rightly consider English common law such an achievement, since it dealt with many issues and was refined over many many years. It reflected the nature and character of the people, what they considered natural and normative. Yet such a system requires an essentially homogeneous and relatively static society.

A brief discussion of justice as it intersects with the need for truth. Those uninterested may skip to paragraph 11.

5. As commenter Richard said, though, what is justice? Justice would seem to require truth. The burden of proof being "guilty beyond a reasonable doubt" certainly prevents injustice, but if a guilty person goes free is that justice? Of course not, but implicit in this very liberal standard is a sense of the imprecision of matters. To paraphrase Aristotle, the legal world is by nature a combination of logic and ethical-politics, rhetoric and dialectic, and various disciplines (with their own problems) precisely because it deals with matters for which there are no specific arts and precisely because we have alternative possibilities.

6. Its methods are inherently imprecise in some cases. To use the word science loosely, science aims at the truth but can be refined over many years by many great minds and altered with the benefit of looking at many examples. Still, it's truth is admittedly provisional. To expect perfection in every case from a legal system with so many variables, including time constraints, working against truth is hazardous. Thus, "beyond a reasonable doubt" is not only necessary but its existence demonstrates a keen observation. Such is not to say truth is always or even usually, out of reach, but rather that an individual's liberty (and thus his finite life) ought not to be lightly taken away. We might be less wary of pronouncing judgment if the stakes were not so high. One must note though, that we cannot say a legal system has failed either by excess or lack of convictions, but must independently consider each case. 

7. Additionally, in a system founded on natural law, justice is part adherence to natural, immutable law and part adherence to positive, man-made law. To call a decision "just" then requires justice in both senses, and thus the positive has in all cases to be in accord with the natural. (See Aristotle, Ethics, 1134b, Rhetoric 1373b)

8. Let us consider a few hypothetical cases then. If a defendant has been logically proven guilty but is acquitted on account of a procedural rule or an obscure point of law, the fault is in the positive law. I say fault and not defect since the law in question may be designed to prevent a guilty man from being convicted. Such a system protects the innocent to the advantage of the guilty (and perhaps at the expense of other innocents, if the guilt party who was not convicted goes on to harm innocents.)

9. Such sounds unpleasant and contrary to justice but the only alternatives are 1) a perfect system with perfect people, or 2) a system which convicts the guilty at the expense of the innocent. Such examples can readily be found in totalitarian states. The concept was also nicely illustrated in two episodes of the Star Trek franchise. In the Deep Space Nine episode "Tribunal" we learn on one planet that all cases end in convictions. "The system is efficient and the swiftness of 'justice' makes the people take pride in it." (a paraphrase) In the Next Generation episode "Justice" we see a planet with seemingly normal rules, but there is only one punishment, death. That surely keeps the peace. (In contrast to this extreme consider Aristotle's concept of "equity," Ethics 1137b and Rhetoric, 1374.)

10. Thus in every legal case we are subject to the available means of truth-gathering, the available means of persuasion, the competency of the legal parties (lawyers and judges), and to what the laws themselves tend, deliberately or accidentally, to produce.

11. Have we answered our original question, whether an adversarial or inquisitorial system is desirable? Yes, insofar as we have seen they carry mostly the same defects. Is it more likely to find one person, the inquisitor, competent to the task for an inquisitorial system or two, evenly matched in skill, for the adversarial system? Is it more likely for a judge or two lawyers to be corrupt? These questions are most similar to those we saw in examining the concept of executive authority. [1] Are there then no virtues in any system involving these two methods?

12. Yes, and we will see them in a mixed system, whereby the whole case is broken down into separate elements. We see one virtue in the need of being convicted not by a fixed "inquisitorial board" but a newly- and impartially-formed jury of one's peers. We see one in the ability to represent oneself, choose one's counselor, and be guaranteed one. We see one in having an expert in law (a judge) accordingly guide the proceedings. Yet these structures do not guarantee justice, though they aim toward protecting the innocent. Also they cannot produce perfect justice in every case if they aim either to protect the innocent or convict the guilty. Most importantly they do not guarantee justice because they cannot guarantee good and wise lawyers, jurists, and judges, and while law may be amended better to promote justice, the injustice of acquitting the guilty or convicting the innocent cannot be undone.

13. Thus we, if we are to expect justice for others and ourselves, ought to err on the side of liberty and, being a part of the justice system, must ourselves keep informed and strive toward wisdom. No system can compensate for a foolish and frivolous people.

–

[1] http://apologiaproliterativita.blogspot.com/2010/05/thoughts-on-american-executive.html

Roger Scruton and Conservatism Abroad

I've referenced Roger Scruton before on this blog. I admire him as a clear and incisive thinker with a catholic and far-ranging mind. Giving proof of his devotion to the traditions of Western man, he ventured, in the 80's, to Eastern Europe and gave private philosophical seminars to Czech and Polish dissidents. The proof, as they say, is in the pudding, and this willingness to put himself in danger for the well-being of the intellectually and spiritually oppressed marks him as a true philosopher, a lover of wisdom, justice, prudence, and truth.

Roger Scruton at The Russell Kirk Center 2. October 1993
- Watch more Videos at Vodpod.

Abraham and the Triune God

(I wrote this little piece for a parish newsletter. It's a slight piece, but I hope it contributes to a better understanding and appreciation of the wonderful biblical exegesis of the Fathers.) 

The Old Testament reading (Gen. 18: 1-3) that I took as my material for today's little meditation offers me an opportunity to sketch out a Christ-ological (a fancy theological word; it just means 'things having to do with Christ') reading of the Old Testament. Theology exists, or ought to exist, solely for the purpose of worship. If theological reflection does not lead us to prayer, it has failed in its purpose and should be cast aside as useless, and perhaps even dangerous. But now to the text itself!

“And the LORD appeared unto Abraham in the plains of Mamre, as he sat in the tent door in the heat of the day; And he lifted up his eyes and looked, and, behold, three men stood by him. And when he saw them, he ran to meet them from the tent door, and bowed himself toward the ground. And Abraham said, My LORD, if now I have found favor in your sight, pass not away, I pray you, from your servant.”

I suspect that this little drama has largely been passed over in many an individual's reading of Genesis; it's not nearly as well known as the events that follow. But this episode in the life of Abraham is what ancient Christian writers called a 'type.' A 'type' is an event in the Old Testament that foreshadows Christian doctrine. St. Paul uses this kind of interpretation in his letters. For instance, in his Epistle to the Galatians (4:21-31) he adopts Hagar and Sarah as 'types' or symbols of the synagogue and church; early Christians, following the Apostle's lead, enthusiastically adopted his method. Two brief examples: Cyprian, a 3rd century bishop, interpreted Noah's Ark to be a 'type' of the Church (St. Peter in his First Epistle [3:20-21] adopts the Ark as a 'type' of baptism), and Ambrose of Milan, a 4th century bishop and theologian, interpreted the marriage of Rebecca and Isaac as a 'type' of Christ's mystical union with His spouse, the Church. If it helps, you might think of this kind of interpretation as an ancient counterpart to C.S. Lewis' allegorical re-telling of the Christian story in the Chronicles of Narnia. In those wonderful stories, Lewis re-imagines events in the life of Christ and dresses them up in new clothes: he allegor-izes the Christian story, using Aslan and his sacrificial death on the Stone Table to represent the death and resurrection of Christ. For his storytelling, Lewis is beloved of modern Christians. For ancient Christians, the Old Testament was similarly beloved and beloved for similar reasons. There, Christ was always peering out in veiled disguise, preparing the world for his Incarnation.

At Mamre, Abraham, as the Scriptures say, met the Lord. This passage must indeed be puzzling to Jews, but for Christians, it allows but for one interpretation. The Lord, appearing in the guise of three angels, is a 'type' of the Christian doctrine of the Trinity. To Abraham, God was One (as He is to millions of Jews and Muslims), but for Christians, that's only true insofar as we believe that God is One in Three Persons, Father, Son, and Holy Spirit. When God revealed Himself to Abraham, He revealed Himself as the Creator and Sustainer of the Universe. But revelation doesn't stop there. It continues with Moses who officiates at God's covenant with Israel, and with her judges, prophets, and priests. But like lightning from a clear sky, the New Testament, the record of Christ's incarnation, earthly ministry, death, and resurrection, reveals that God is not simply and only One; He is a mystery, a communion of three persons, and wonder of wonders, one of those divine persons, the Word, has taken flesh. Furthermore, his Crucifixion and Resurrection have reconciled us to the Father; and His gift of the Holy Spirit ensures the perpetuation of His grace and love in our midst until the end of the world.

Gregory of Nazianzen, a theologian of the 4th century, writes of God's revelation: “It was necessary to proceed by successive perfectings, by 'degrees'; it was necessary to advance from radiance to radiance, through ever more luminous movements of advance, in order that the light of the Trinity might finally be seen to shine forth.” And a modern theologian, Jean Danielou, writes, “The whole history of salvation may be considered as a gradual unveiling of the Trinity.”

When the Lord appeared to Abraham at Mamre, under the guise of three angels, He foreshadows his own revelation of Himself as Three-in-One. But preeminently, we ought to reflect, in this little episode, on Abraham's response: he runs to the Lord, bows down, and does worship. And he asks the Lord to stop with him and feast with him. Not even to Abraham did God confide his entire plan for the salvation of humanity, or the mystery of His own Triune nature, but it is our incomparable gift that we, so much the lesser than Abraham, should worship in spirit and truth the Lord Jesus Christ, the God-Man and the Revealer of God's mysteries. But this knowledge of the Triune God is a gift; we only possess it by virtue of God's own magnanimity, and we only possess it perfectly insofar as we make a gift of it ourselves. Let us too run forth to meet the Lord and bow down.

Around the Web

For the week of Saturday, July 3 through Friday, July 9 2010.

1) From the WSJ, The Film Society of Lincoln Center is celebrating Clint Eastwood's 80th birthday with a two-week retrospective of the icon's 31 directorial efforts.

2) Conductor Michael Tilson Thomas on Gustav Mahler.

3) For the WSJ, Judith H. Dobrzynski talks to  Peter Meineck, who with an $800,000 grant from the NEH is taking staged dramatic readings of works by Athenian playwrights to 100 public libraries and art centers in 20 states.

4) In the WSJ, Will Friedwald with Svend Asmussen, 94, probably the oldest active major jazz musician in the world and the only one who's played with Fats Waller, Django Reinhardt, Stéphane Grappelli and Duke Ellington.

5) James Bowman on John Huston's 1948 classic, Treasure of the Sierra Madre.

6) At Mises Daily, John S. Chamberlain with Ten Economic Blunders From History.

7) At The New Atlantis, Jeremy Axelrod on the bewilderments of quantum theory and "Quantum Leaps" by physicist and science writer Jeremy Bernstein.

8) Via Life in Italy, the Colosseum is to be restored, protected and lit up permanently in a project starting later this year.

9) At The Volokh Conspiracy, Keynes vs. Hayek– 1932 Redux.

10-12) Three new articles on digital vs. printed books. [1] [2] [3]

In Praise of Legos

Yes, I hear they are officially called "Lego Bricks" but they are and will always be Legos to me and I suspect many others. They were my go-to toy and construction material of choice for many years. Their rivals could not really compete, although I had nothing against K-Nex, which remain quite appropriate for the mechanically-inclined. Yet Legos were smaller, more voluminous, varied, and versatile than than anything else, including their larger cousins, Mega Bloks.  Likewise Lincoln Logs were only suitable for building forts. Besides, one never had enough Lincoln Logs to build more than one house, fort, et cetera. A bucket of Legos was far more useful. Now if you had both, well then you had whole world of potential, i.e. an epic battle between the Lego vehicles and the Lincoln Log fort. Exhibits A and B:

The work of your humble blogger, dates unknown. 

The vehicle opened up in the back and front, has a crane on top with a crane-operator's 

area, two arms in front, and. . .

As you might infer from the photos, the joy of building with Legos was of course the limitless possibilities. Before the days of themed sets you quite simply had a bucket of pieces and from that would spring cars, boats, houses, and structures of endless variety. Eventually I grew to appreciate the themed sets, which gave you all of the fancy pieces, the translucent windows, the hinges, wheels, et cetera with which you could create increasingly elaborate structures. Such sets were always badly designed, though, always structurally weak and usually lacking suitable egress and defensive capabilities.

By nature Legos forced the user to adapt to the limitations of the pieces you have at hand. They also gave one the opportunity for experimenting with different designs. Some were too fragile, some wasted pieces, others were aesthetically displeasing. Unfortunately one could seldom achieve a perfect aesthetic since you rarely had each piece in precisely the needed color. Yet one continued to revise. Exhibit C.

Version 2 of "Bridge" with improved pylons and matching ramps.

(Version 1 met with a terrible accident.)

Sure, not everything worked and looked great, but Legos asked me to bring something to the experience of using them. They were not a self-contained experience I simply consumed, but rather were, to use the cliché of today's dutiful parents, "open-ended." They could be anything and what they became would reflect the person building. Rather than pacify they force one to be thinking, creative, and engaged.

Gladly I can say Legos and the Lego community are thriving today. The "Mindstorms" series incorporates programmable electronics creating the potential for rather remarkable machines. Lego competitions are common. Simply searching "lego" on YouTube will surprise you with a variety of uses for the simple plastic bricks, from firearms to stop-motion short films. Legos are not simply objects for amusement, but vehicles for exploration. They're also a lot of fun.

How to Avoid the Apocalypse

or, On False Curmudgeonry

My habit of reading online articles is this. I sit at my desk, often with a cup of Earl Grey tea or cranberry juice, and I have some music playing, usually Mozart or Haydn string quartets or serenades. I open up my web browser and bam! Which politician is destroying the country, which corporation is destroying the environment, which country is destroying the world, group A needs money from group B, things ought to be this way, things ought not to be that way and so on and so forth ad nauseam. Sometimes I just say "Ah foohey!" and stick with Mozart. Such claims of catastrophe are surprisingly predictable and highly formulaic. The continuing existence of newspapers is testament to, among other things, the weakness of man's memory. There is of course a class of people, the curmudgeons, who find ill and ailing everywhere. Yet the art of curmudgeonry is hard to perfect. Fall short of the curmudgeon's charm and wit and you become a gross bore to read. The craft of the curmudgeon lies in fact not in elegizing or deconstructing or proving, but in shedding a revealing light on life's incongruities and then, in the guise of complaining, relishing the contradictions. One comes away from the curmudgeon thinking, "Hah, we people are funny creatures, no? Hah!" and then goes about his business.

Such is the best and my favorite species of critic. There are many: the polemicist, the firebrand, the whistle-blower, the belly-acher, the censurer, the grump, the nostalgiacist, the dissenter, the peevish, and the nag are the most common. They all have their time-honored styles. Sometimes, though, they come in garb of the curmudgeon.

Over the last few years there has been a constant drizzle of articles about how we use technology and how it (allegedly) negatively affects us. Such is the province of the grump-nostalgicist but these articles have come in the guise of the curmudgeon. The more notable essays are Christine Rosen's "People of the Screen" (The New Atlantis, 2008)[1], Nicholas Carr's "Is Google Making Us Stupid" (The Atlantic, July/August 2008)[2], and more recently Nicholas Carr's (again?) "Does the Internet Make You Dumber?" (WSJ, June 2010)[3], and most recently "In Defense of the Memory Theater" by Nathan Schneider.[4]

It would be dishonest not to reveal my first reaction to these essays, which is this: "Stop it!"[5] If something you are doing is bad for you then stop it! But we don't stop do we? Circling around that very human paradox should be the focus of these essays. It isn't. We said if one fails to be a curmudgeon you're a bore. One also comes off as a whiner.

These essays have much in common. Consider the histrionics: "the literary apocalypse," a "dark prophecy," "deeply troubling," and "All in the name of progress." Oh no! And to think I was sitting here sipping my tea whilst people were reading on their Kindles. The horror! Alas, alack!

They're also not seriously fact-oriented, though they pretend to be. Carr does quote someone though, writing, "The pioneering neuroscientist Michael Merzenich believes. . ." He does? OK, good. Can we go over that part then? We ought to ask, "Is this assertion a fact? Is this fact relevant? Does this relevant fact function the way the author says it does in his argument? Is the argument, then, sound? Lastly, is it persuasive?" Consider Carr's examples: does the fact that a chimpanzee brain quickly rewires (how quickly is "quickly" by the way?) when you rewire the nerves in a it's hand, mean visual stimuli would have the same effect? Consider also the statistic, "56 Seconds [is the] average time an American spends looking at a Web page. [Source: Nielsen]"  Well, what is the average time it ought to take? How was the study conducted? (So we know they factored out mistaken clicks and other variables.) They also ignore the obvious. Carr writes, "Whereas the Internet scatters our attention, the book focuses it. Unlike the screen, the page promotes contemplativeness." Well, if that's so, such suggests an obvious solution toward fixing the "screen experience" then doesn't it? Curious that Carr and Rosen never offer the obvious solutions their criticisms generate.

Rosen too quotes a poll but actually chides someone who questioned a point she agrees on, calling the questioner a "techno-utopian" and his question "obtuse and misguided." The essence of this attitude is, "I'm saying this elegantly and it's plausible so believe me. I'll quote something for appearances if it'll get you off my back." The essence of this is a little pact between the author and reader, "We already agree don't we? Great. No tough questions then? Deal." Are books being replaced? Is there any actual data on that? Of behavior they quote studies but not conclusions. The curmudgeon's topic (human nature) and charm give him a pass here, everyone else has to argue and prove a point.

I'm not even saying Carr or any of these authors are wrong. (I may even agree.) Their articles are simply unpersuasive, patronizing, overwrought, and generally annoying. I'm offended by their writing and I admittedly share their bias in favor of focus, cogitation, and long-form literature and art. I'm certainly not inclined to pick up any of their books. If they wanted to prove something they should have done rigorous research, testing, and thinking. People trust and like scientists. If they wanted to talk of the curiosities of human nature they should leave that to the curmudgeons. Everyone loves and trusts curmudgeons too. But the vast realm of quasi-scientific, reasonable-sounding kvetching is an unsatisfying and inane land.

Schneider's essay is clearly the best and most enjoyable, but it is quite mixed up. First, he obviously uses and enjoys technology but has a lifelong sentimental attachment with books. The former isn't replacing the latter, but it's getting better and it might. The essay comes off like this: "I've been with my books so long, but look at these digital databases, they're searchable and indexed! But they're young and fickle. . . and might leave." It sounds like he's confessing to an affair. Since he is so conflicted we won't pick on him any more.[6]

This personal touch is quite pleasant, really. And significant too. Far more than the "I can't read long books because I stopped reading long books" arguments of the other essays. Fortunately the answers are simple all around. Mr. Schneider should have it both ways and the others, well. . . they should stop it!

–

[1] http://www.thenewatlantis.com/publications/people-of-the-screen
[2] http://www.theatlantic.com/magazine/archive/2008/07/is-google-making-us-stupid/6868/
[3] http://online.wsj.com/article/SB10001424052748704025304575284981644790098.html
[4] http://www.openlettersmonthly.com/in-defense-of-the-memory-theater/
[5] http://www.youtube.com/watch?v=T1g3ENYxg9k
[6] Except for the fact that he ties the bookshelf's virtues to acquiring and possessing, which really does not damage the argument for the electronic reader, or at least an idealized/improved one. He admits this. So where was this essay going again? Again, all of these essays are rather flawed attempts at mixed writing styles and genres.  The bookcase would have been a fine subject for a little essay of praise, just as a few favorite long poems, books, or songs would have much more persuasively sold Carr's case. Likewise a curmudgeon's take, or a take à la Jacques Tati, on the e-reader would have been fun and revealing. Alas, alack! we are deprived.

Freedom and Natural Law

A few weeks ago in an interview with Reason TV, libertarian Judge Andrew Napolitano made the following statements about the Constitution of the United States in the context of natural law:

The constitution protects persons, it's not limited to Americans. And persons is not even limited to good persons. It protects Americans, it protects aliens, it protects those legally here, it protects those illegally here, it protects those who wish us well and those who have caused us harm. It makes no distinction whatsoever. This is absolutely consistent, the constitutional protection of persons, with the Lockean, and Jeffersonian, and Augustinian, view, and Thomistic view, that our rights come from God and are gifts into our humanity, and are as much a part of us as the fingers on the ends of our hand.

That would apply to me, to you, to George W. Bush, to Barack Obama, to Khalid Sheik Mohammad, to Richard Speck, to Al Capone, to anybody that the government wants to restrain for any reason.

The boldness and openness, even brashness, of these statements undoubtedly take even proponents of natural rights off guard. Yet somehow the tone is familiar. Quite a long time ago someone else boldly made the case for natural law:

True law is in keeping with the dictates of both reason and of nature. It applies universally to everyone. It is unchanging and eternal. Its commands are summons to duty, and its prohibitions declare that nothing wrongful must be done. As far as good men are concerned, both its commands and its prohibitions are effective; though neither have any effect on men who are bad. To attempt to invalidate this law is sinful. Nor is it possible to repeal any part of it, much less to abolish it altogether. From its obligations neither Senate nor people can release us. And to explain or interpret it we need no one outside our own selves.

There will not be one law at Rome, and another at Athens. There will not be different laws now and in the future. Instead there will be one, single, everlasting, immutable law, which applies to all nations and all times. The maker, and umpire, and proposer of this law will be God, the single master and ruler of us all. If a man fails to obey God, then he will be in flight from his own self, repudiating his own human nature. As a consequence, even if he escapes the normal punishment for wrongdoing, he will suffer the penalties of the gravest possible sort. [Translation by Michael Grant.]

This is the famous passage on natural rights from Book III of Cicero's "On the State" and it seems safe to say Cicero exceeds Judge Napolitano in eloquence. Even with Cicero, though, there is something daring about discussing the natural law, something audacious about declaring one rule for all everywhere. It's exhilarating too.

HBO's miniseries John Adams properly suggests the initial impact of such a statement. Adams, upon reviewing Jefferson's draft of the Declaration:

Well this is something altogether unexpected. . . not only a declaration of our independence but of the rights of all men.

Indeed, and the draft bears even more striking resemblance to Cicero than the final version, speaking of how the king "waged cruel war against human nature itself." [1] Nonetheless the final draft rings clear also:

. . . to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature's God entitle them. . .

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator  with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness. That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed. . .

Individual rights are an individual's by nature. Period. The statement is boldly laid down as an axiom, not open to negotiation. This is not a dissertation on independence, but a declaration of it. These rights do not come down from kings or oligarchs or up from the majority, but reside in each individual.

Indeed, and Napolitano also makes a key point: that the American Constitution only mentions individuals, not groups. It does not create distinctions and does not have different sets of rules for dealing with different "types" or "groups" of people. It can only deal with people in one way, as individuals.

What a risk, not just to personal life, but of failure in establishing law and government of such a nature. For a mob to behead its tormentors is one thing and it is similar for a small oligarchy to change its puppet. History has many such examples and historians and philosophers have noted the tendency of governments to rotate amongst democracy, oligarchy, aristocracy, and monarchy. The forming of a constitutional democratic-republic formed by delegates elected from the people in order to replace a tyranny is not quite as common.

Many factors, some of chance and some created, must come to be for success in such an undertaking. Aristotle noted one, "In the generations of men as in the fruits of the earth, there is a varying yield; now and then, where the stock is good, exceptional men are produced for a while, and then decadence sets in." (Rhetoric II, xv.) Notions of "stock" aside, the Founding Fathers were a remarkable generation. (Using "generation" loosely as their ages were actually rather varied.) It is common to praise, even glorify, these men, but panegyric unfortunate and unnecessary. While it would be foolish and inappropriate to praise as a group their individual virtues, a broad reading of their lives reveals at least one virtue: the intellectual. Aside from the difficulties of the philosophical and liberal arts works that constituted the core of their education, the study of the law was particularly difficult. This owed to a lack of what we know as "text books," difficulties in obtaining texts, and the "dreary ramble" (in Adams' words) of studying the law with the standard text of the time, the "bewildering mass" of the work of Sir Edward Coke. [2]

While we of course benefit from their great sacrifices and challenges, we too continue to gain from what were at the time minute things: staying home to study and wading through Aristotle, Thucydides, and Edward Coke.

In what is actually a paraphrase and amalgamation of correspondence between John and Abigail Adams, HBO's miniseries about America's 2nd president ended with this statement:

No, posterity, you will never know how much it cost us to preserve your freedom. I hope that you will make a good use of it. If you do not, I shall repent in heaven that I ever took half the pains to preserve it.

–

 At the site where John Adams as buried, United First Parish Church, Quincy, MA.

(click to enlarge)

Pilgrim,
From Lives thus spent thy earthly Duties learn;
Form Fancy's Dreams to active Virtue turn:
Let Freedom, Friendship, Faith, thy Soul engage,
And serve like them, they Country and thy Age.

–

[1] http://www.ushistory.org/declaration/document/rough.htm
[2] Malone, Dumas. Jefferson the Virginian. Little, Brown and Company. Boston. 1948.

Around the Web

For Saturday, June 27 through Friday, July 2, 2010.

1) At Philosophy Now, Grant Bartley reviews a biography of Bertrand Russell,"Logicomix: An Epic Search For Truth" by Apostolis Doxiadis et al.

2) Making dictionaries matter: Michael Adams on Samuel Johnson at Humanities.

3) Michael Dirda reviews a collection of the letters of Pliny the Younger for Barnes and Noble Review.

4) Michael J. Totten interviews Victor Davis Hanson to discuss "War: Ancient and Modern."

5) Jonathan Spence and NEH Chairman Jim Leach discuss key moments in four hundred years of Chinese history.

6) In The American, Lee Harris on "The Spirit of Independence and the Social Psychology of Freedom."

Emanuel Ax Beethoven Masterclass

A segment from pianist Emanuel Ax's masterclass on Beethoven's sonatas and variations.

On Piano Sonata, Op.28, No. 15 in D major, 'Pastoral' - Andante