In the last decades before the birth of Christ, as the Roman people learned to embrace the yoke of an ostensibly reluctant autocrat, the historian Titus Livy began the history of his people from their founding up to the final crisis of their ordered liberty. If St. Jerome is correct in setting Livy's birth in the year 59 BC, then it was a propitious date on which to inaugurate the birth of Rome's patriotic, moralist-historian, for such was the year of Caesar's consulship. A nominal consulship for a nominal republic, the year also marked the year when the First Triumvirate–the cadre of Crassus, Pompey, and Caesar–began blazingly to run roughshod over the remnant of the old order.
Yet this beginning of the republican end, with its wars foreign and domestic, its sullied politics–oh poor beshitted Bibulus!–and its civil strife were not foremost what fascinated Livy, though he knew these years, the most infamous in Roman history then and now, would attract readers,
, more than timeworn tales about the past, hoary retellings of Horatius at the Bridge. The Old History, Livy confesses, is a happy diversion from debates about the contentious years through which his people had navigated.
It is more from that spirit less than that of history proper that I would consider the virtues which animated Livy's history. I do not wish to dwell on comparisons–instructive but dolorous and already complete–to nations long powerful making their own demise, nor will not conjecture whether, paraphrasing Charles Cochrane, mere republicanism can save a republic or mere religiosity religion. Whether traditional republican virtues could be broadly revitalized today and if they could, what effect they would have on the American polity, is beyond my scope here.
It is not now my goal to consider history, furnishing examples by which a republic may prosper or decline, yet,
, I would look at those virtues which carried the Romans, and which they carried, so far. My approach will be to systematize and rationalize in the Aristotelian fashion of setting means between excess and deficiency, but recall that these virtues were for the Roman traditional, religious, and instinctive. My modest hope is that their presentation might prove salubrious to the individual, not condemnation but encouragement to their prudent consideration and application.
Religio is of course the concept with which to start and what today will either offend people or send them scurrying toward some other virtue they hope to practice without any obligation. The essence of
religio is not the definition common today, a system of beliefs, but rather constraint of human endeavor in the face of divine force.
Religio vetuit, religion forbids. In Gaul after his consulship Caesar, as he slaughtered the Gauls, wrote as praise that they were
dedita religionibus, (
De bello Gallico, 6.16.1) dedicated to religion, and thus undertook certain rituals for administering to the dead. Underneath the ritual, though, is the recognition of a divine realm with which one must be in accord. Roger Scruton writes, "[Man] confronts in [worldly things] not objects only, but the eyes of the gods, who remind him of his duties and offer comforting socially endorsed instructions." [Scruton, 33] The religious impulse then requires first discrimination, namely between sacred and vulgar, between things of utility and the divine which is for its own sake. Second it requires tradition, accepted practices of propitiation, for those on the rock
radices non habent,
οὗτοι ῥίζαν οὐκ ἔχοθσιν (John, 8.13) they have no root, and cannot cultivate the seed.
When
religio reaches extremes we are left either with superstition or materialism, both sharing the common failure to distinguish between the sacred and vulgar. In removing the agency of man, superstition removes his burden of responsibility to discern and act upon the good, enervating both intellectual and moral virtues. In contrast, materialism, in denying any realm which man does not dominate, elevates man to the role of measurer of all things. Nothing escapes his judgment, which is ultimate and which meddles in all affairs sacred and profane, public and private, and through past, present, and future. There exists a balance between the prudential governance of the material world, “a healthy secularism of the State, by virtue of which temporal realities are governed according to their own norms," as Benedict XVI called it, and the acknowledgment that,
ipse fecit nos, et non ipsi nos, God mad us, not we ourselves (
Psalm 99, 1-2), and therefore we do not dictate all. Laws which are beyond our right to change make claims on us.
The virtue of
pietas, then, is the acknowledgement and fulfillment of such claims. Piety is the fulfillment not of contract, but duty, the making of vows, not promises, and the consecration of life not by technology or human will, but by sacrament, action given power by the word of God.
Lack of piety may stem of course from a lack of religiosity, an indifference to the mystery of the passing generations in which one partakes, but it may also stem from a conscious rejection of tradition. Such rejection begins when one finds tradition onerous instead of ennobling and the rejection takes flight when a tradition is first broken and no one sounds the alarm. It is not without reason that Aristotle wrote that a man's crime is worse if he is the first to commit it (1375a,) for once the chain is broken and the world does not promptly end, the chain is thought to have been perfunctory, stuffy, tradition.
Now it would be easy to propose piety and religious obligation as a panacea for modern woes. Recoiling from this extremity I would consider religiosity and piety as balances upon worldliness. Besides its obligations, religiosity is an inducement to eschew the world of utility, of gaining and spending, and to set something aside as not for meddling. Likewise piety encourages us to consider in our actions and reactions not what we are owed by law, but what we owe by nature.
Similarly, and in contrast to the exacting of one's will and the extraction of one's pound of flesh under pain of law, we find
clementia, the willingness to forego what is owed.
In the modern world, or rather transition from the ancient to the modern, the Enlightenment, we find clemency at the heart of each mature Mozart opera: In
Die Entführung Pasha Selim permits the escaping lovers to depart, the Countess pardons her cheating husband in
Figaro, the men forgive their wayward fiancees in
Così fan tutte,
Die Zauberflöte's Sarastro tutors the inconstant acolytes, and Titus forgives the conspirators. Among the forgivers, there is no compensation for damages, no
quid pro quo, just deference to the love which is greater than the penitent transgression. (We see now that virtue begets virtue, clemency implying penitence.) With the exception of
Così, which ends philosophical in confusion, we can feel the great-souledness magnifying Selim and the sacred grandeur of forgiveness permeating Sarastro and Countess Almaviva. We feel them grow large in their glad pardoning–the
hilaris clementia of Martial 12.5–and we feel the joy of magnanimity with them as Mozart's music brings to us the "consoling vision which religion grants to all its supplicants." [Scruton, 42]
The only exception is Don Giovanni, who thrice unrepentant and bending no knee is dragged to Hell.
Of
clementia we can see its defect in both the polity and individual, in excessive grievance. When an individual is only sated when he gets what he feels owed, when he must have his pound of flesh regardless of details which out to modify his expectations–such as past kindness, good reputation, virtues which balance vices, intent, misjudgment, misfortune, and human weakness–he is a small man. This man prefers to sue than settle, and as his way is imitated, private reconciliation by equity is replaced by public adjudication.
The excess of
clementia seems easy to imagine: the insolent or downright criminal run rampant over the good. This is surely a possibility, but I would suggest that an excess of desire to
seem forgiving is the more observable and pernicious phenomenon, for transgressing a virtue weakens the individual, but its meretricious application weakens perception of the virtue itself. Such application is present, though I would not argue that it constitutes, the impulse behind plea-bargaining. From a desire to appear magnanimous, forgiving, and liberal, offering a plea-bargain confuses admittance with repentance and in doing so confuses a commuted sentence with forgiveness. Moreover, and even worse than the obvious inducing of the accused to expect lessened punishment, the attempted institutionalization of a virtue which can only be practiced by the offended party, not a judge, confuses law and equity. Worst of all, plea-bargaining debases the virtues–in this respect unwritten laws which are not exacted by force–by extending them unasked to those who broke written laws which
are backed up by force, and he who would break a written law would certainly break an unwritten, and thus unenforced, one. [Aristotle, 1374] The bargaining process also admits great corruption against the accused. Dr. Dalrymple writes,
...plea-bargaining is intrinsically unjust because it may induce the innocent to plead guilty and the guilty to hold out for a lesser punishment than they deserve. It encourages prosecutors to intimidate defendants by multiplying and exaggerating charges on the great Hitlerian principle that if you sling enough mud, some of it sticks. It undermines the principle that the prosecutor’s purpose is not to secure a conviction at any price, but to secure justice. [Link]
A judge may adjudicate only according to objective legislation and policy of administration. Law is therefore a more harsh and less flexible standard than equity, which may moderate disputes with less severity.
After
religio, it is likely
gravitas which is the most neglected of Roman virtues. After all, who wants to be the stiff rather than the wit, the killjoy than the life of the party? Yet to the Roman mind, man and his life were predominately serious. The disposal of life, literally the putting down of it, that is, the doing of it, is not a trivial business. To carry oneself with
gravitas is not to be a pompous, officiating Polonius, but to walk as if your existence has purpose and consequence. Gravitas does not imply seeking attention or conceit,
adrogantia, but simply being counted in the reckoning.
That hard edge of
gravitas is burnished by the good humor of
comitas, which bids us be responsible and serious, but not stiff. While
gravitas urges us to value our dignity,
comitas urges courtesy, an ease which does not assert but attends. If
gravitas cautions us not to be timid,
comitas reminds us to note the humor of life. Still, as Cicero says, however useful it might be,
leve enim est totum hoc risum movere. (
De Oratore, 2.218) Humor is a relief, not a mainstay, and
comitas should never degenerate into
levitas, being lighthearted when we ought to be serious.
Pliny the Younger, writing to the orator Arrianus, (
Epistulae 8.21.1), advices moderation:
Ut in vita sic in studiis pulcherrimum et humanissimum existimo severitatem comitatemque miscere, ne illa in tristitiam, haec in petulantiam excedat.
Mix, Pliny urges, the light and the severe, so that we do not gravitate toward the extremes of gloom or frivolity.
Again, the false appearance of a virtue is the most damaging. Livy again, writing about Appius Claudius–most famous for the construction of the Via Appia and Aqua Appia under the tenure of his censorship–points to a noteworthy contrast when he observes Appius' fraternizing and canvassing:
profecto haud gratuitam in tanta superbia comitatem fore. (
Ab urbe condita, 3.35.6) That is to say, the arrogant man may use graciousness to further his ends, therefore in him it is conspicuous.
We join the twin virtues of
firmitas and
constantia, the latter the origin of a most lovely name. It is easy to caricature constancy of character as obtuseness, but apart from Cicero's philosophizing connection of it to Stoic εὐπάθεια, the Old Roman was not a thinker, let alone one of subtlety. He did not value sophistical refutations and live at the cutting edge of philosophical trends. Caesar, less praising now, writes of the inconstancy of the Gauls,
consiliis capiendis mobiles (
De bello Gallico, 4.5.1), and how they take new plans easily and must retreat from their errors of their foolish fickleness. In amusing imitation of a self-made Roman, Petronius' Trimalchio, the freedman who made it big, wanted written on his tomb:
nec umquam philosophum audivit. (
Satyricon, 71)
He never listened to a philosopher. Roman virtue was a process less of intellect than tradition, and the Roman did not consider a lot of subtle thinking in choosing the right path.
It is of course worth exploring the philosophical tack in
Tusculan 4.12, in which Cicero, summarizing the Stoic position, observes that man naturally seeks what is good and thus what seems good, but in seeking his desire is twofold: either founded in prudence, called volition, or founded in violent desire, lust, which is found in fools (
in omnibus stultis invenitur.) Therefore incitement of the former is joyful, whereas excitement of the latter is immoderate elation away from the control of reason. Thinking from the Stoic position, then, we can view
inconstantia as an immoderate, immature response to the appearance of the good. It is appropriately associated with youth, who seeing the various goods cannot choose among them but move from one to the other.
One extreme of
constantia is of course obtuseness, literally
dullness to other observations. This stubbornness can manifest itself as
A. pride, for example an intelligent man ignoring reasoning which contradict him,
B. anti-intellectualism, an irrational distrust of thinking subtler or finer than our own, or
C. traditionalism, distrust of the new. The other extreme is
fickleness, in which we find
A. an irrational distrust of our own judgment,
B. the excessive worship of reason, which trusts what is argued more than what is demonstrated, and
C. faddism, which prefers the new simply because it is new. The obtuse persist in error and the fickle wander from error to error.
Constantia then requires
disciplina, the learning by which one chooses the good, for he cannot attain the good if he does not aim at it, and who can aim who does not see his target. Let us commend, though, the discussion of humanistic and Christian education to elsewhere, and discuss
frugalitas, satisfaction in economy. Of
frugalitas Marcus Aurelius spoke best, recalling what he learned from his adopted father: enjoy the luxuries which fortune may furnish, but do not miss them when absent. (
Meditations 1.16) Live neither as a
pauper nor
helluo, poor man or squanderer.
All of these virtues require two more:
severitas, the strictness to moderate oneself, and
virtus, one's manly essence and full worth. Of all we have mentioned these virtues are perhaps naturally twin, for the exuberance and outward exertion of the
virtus implies a need for
severitas, a restraint. The
virtus must be cultivated, surely with the good allowed to grow and the bad pruned, but even with the good pruned moderate, lest even one good grow at the expense of choking some other virtue.
The excess of these virtues are the most gross, and their defects the most pitiful. Untutored and unmoderated,
severitas mistakes self-debasement for self-mastery.
Severitas degenerates into excessive fault-finding and doubt. Excess severity is paralyzing, not ennobling as
severitas should be. In detriment of severity we find excuse-making, as inimical toward manliness today as it was ever.
In immoderate
virtus in excess becomes hubris, arrogance, and insolence run riot. Again we find Don Juan, in the words of David Cairns:
There is no protection against his fundamentally destructive energies... He is the logical consequence of the Enlightenment's cult of individualism and unrestrained liberty.
In detriment the manly spirit is timid, weak, and enervated. It is cowed when it should be assertive, sluggish when it should soar, and reluctant when it should be ready. Reason fusts in him unused and he plods, but sleeping and feeding.
The modern idioms of looking at oneself in the mirror with pleasure and waking up in the morning with gusto might have pleased a Roman. Wake up neither with regret nor ready for mischief, the extremes of severity, but prepared for a prudent and disciplined day, and seek in the mirror neither the prideful nor pitiable, the extremes of
virtus, but the cultivated self.
Auream quisquis mediocritatem
diligit, tutus caret obsoleti
sordibus tecti, caret invidenda
sobrius aula.
–
Barrow, R. H.
The Romans. Penguin Books. Middlesex. 1949.
Cairns, David. Mozart and His Operas. University of California Press. Berkeley and Los Angeles. 2006.
Cochrane, Charles Norris.
Christianity and Classical Culture. Oxford University Press. 1968. (Reprint from Clarendon Press, 1940)
Duff, J. Wight & Duff, A. M.
A Literary History of Rome. Barnes and Noble. New York. 1960.
Scruton, Roger.
An Intelligent Person's Guide to Modern Culture. St. Augustine's Press. South Bend Indiana. 2000.
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Who doesn't want a slick Greek and Latin lexicon? Beyond the convenience of having a combined reference for both languages, Logeion offers two features which I think commend it to students. First, it offers entries in multiple references. For Greek it offers the LSJ, DGE, Autenrieth, Middle Liddell, and Slater entries, and for Latin the BWL, Lewis and Short, Lewis' Elementary, and DuCange. Second, it does not allow the entry of inflected forms, which comes as a relief to teachers who recommend online resources like Whitaker's Words and The Perseus Project with reservations, finding them often all too helpful.
Alas, the app for which I was most excited and which is the most expensive, fails to deliver. To start with the good, the maps are quite fine. In particular, the relief of the topography is crystal clear, a detail is often lacking in maps of the classical world. Too the shading of the landscape, indicating desert, sea, and so forth, is subtle. The ancient Latin names are also retained, as are the Greek, although the latter are transliterated. Speaking of text, the authors very kindly drew the black text with a thin white border around it, making it exceptionally legible and easy on the eyes.
